Fipi demo options for the Unified State Exam. Demonstration versions of the Unified State Exam (profile level) in mathematics - Archive of files. Rows, pairwise combination of homogeneous members

Assessment


two parts, including 19 tasks. Part 1 Part 2

3 hours 55 minutes(235 minutes).

Answers

But you can make a compass Calculators on the exam not used.

passport), pass and capillary or! Allowed to take with myself water(in a transparent bottle) and I'm going


The examination paper consists of two parts, including 19 tasks. Part 1 contains 8 tasks of a basic difficulty level with a short answer. Part 2 contains 4 tasks of an increased level of complexity with a short answer and 7 tasks of a high level of complexity with a detailed answer.

The exam work in mathematics is allotted 3 hours 55 minutes(235 minutes).

Answers for tasks 1–12 are written down as a whole number or finite decimal fraction. Write the numbers in the answer fields in the text of the work, and then transfer them to answer form No. 1, issued during the exam!

When performing work, you can use the ones issued along with the work. Only a ruler is allowed, but it's possible make a compass with your own hands. Do not use instruments with reference materials printed on them. Calculators on the exam not used.

You must have an identification document with you during the exam ( passport), pass and capillary or gel pen with black ink! Allowed to take with myself water(in a transparent bottle) and I'm going(fruit, chocolate, buns, sandwiches), but they may ask you to leave them in the corridor.

Demonstration versions of the Unified State Exam in mathematics for grade 11 for 2002-2009 included three sections: A (tasks with a choice of answers from several proposed ones), B (tasks with a short answer) and C (tasks for which it was necessary to provide a complete solution to the problem).

In 2010 from demo version of the Unified State Examination in mathematics multiple-choice tasks that previously comprised section A were excluded. Thus, demo version of the Unified State Exam began to consist of only two sections B and C.

Demo version of the Unified State Exam 2011 almost completely coincided with the demo version of the Unified State Exam 2010: only tasks C1 and C5 were changed.

In 2014 in demo version of the Unified State Exam in mathematics There were no thematic changes compared to the previous year: tasks B3, B9, B14, C2 and C4 were replaced by other tasks of the same topic. In addition, a basic difficulty level short answer task was added, testing practical skills in applying mathematics in everyday life, and the order of the tasks was changed.

In 2015, in order to conduct the Unified State Examination in mathematics, major changes: it was decided to carry out two separate examsbasic level And profile level.

In this regard, in 2015 it was presented 2 demo options: new model demo version for Basic level Unified State Exam And upgraded 2014 demo model for USE profile level.

Demo version for the basic level Unified State Examination contained only basic level tasks difficulty with a short answer ( 20 tasks). In demo version was presented by several examples of tasks for each position examination work. In real cases examination paper for each position was proposed only one task.

Demo version of the 2015 profile exam developed based on the demo version of the Unified State Examination in mathematics 2014 with the following changes:

  • The option became consist of two parts(part 1 - short answer assignments, part 2 - short answer tasks and long answer tasks).
  • Numbering tasks became through throughout the entire version without the letter designations B, C.
  • In the second part 1 task added high level of complexity with a detailed answer, which tests practical skills in applying mathematics in everyday life, skills in constructing and researching mathematical models.
  • From the first part 1 task of basic difficulty level excluded.
  • Minor changes have been made to the form and subject matter of tasks 16 and 17

IN there were no changes to the demo version of the Unified State Exam in mathematics at the basic level in 2016.

IN demo version of the Unified State Examination in mathematics at the profile level 2016 the following changes have occurred:

  • From the first part option two tasks were excluded: practical content assignment basic level of difficulty and stereometry assignment increased level of complexity.
  • Maximum Primary Score for doing all the work reduced from 34 to 32 points.

IN demo versions of the Unified State Examination in mathematics 2017 - 2020 both the basic level and the profile level, compared with demo versions of the Unified State Examination in mathematics 2016 there were no changes.

Secondary general education

UMK ed. B. A. Lanina. Literature (10-11) (basic, advanced)

Literature

Demo version of the Unified State Exam 2019 in literature

We bring to your attention an analysis of the demo version of the Unified State Exam 2019 in literature.
This material contains explanations and a detailed solution algorithm, as well as recommendations for the use of reference books and manuals that may be needed when preparing for the Unified State Exam.

Download the demo version of the Unified State Exam 2019 along with the codifier and specification from the link below:

Follow the information about our webinars and broadcasts on the YouTube channel; very soon we will discuss preparation for the Unified State Exam in Russian language and literature.

The book contains materials for successfully passing the Unified State Exam: brief methodological comments on all topics, tasks of different types and levels of difficulty, training versions of the Unified State Exam, a dictionary of literary terms, as well as answers to all tasks. Students will not have to search for additional information on the Internet and buy other textbooks. In this book they will find everything they need to independently and effectively prepare for the exam.

Analysis of a demo version of control measuring materials for the Unified State Exam in Literature in 2019

The examination paper on literature consists of two parts and includes 17 tasks. Part 1 includes two sets of tasks. The first set of tasks relates to a fragment of an epic, or lyric epic, or dramatic work: 7 tasks with a short answer (1–7) and 2 tasks with a detailed answer in the amount of 5–10 sentences (8, 9).

The second set of tasks relates to the analysis of a lyrical work: 5 tasks with a short answer (10–14) and 2 tasks with a detailed answer in the amount of 5–10 sentences (15, 16). Answers to tasks 1–7 and 10–14 are written according to the samples below in the form of a word, or phrase, or sequence of numbers. Answers are written in the answer field in the text of the work without spaces, commas and other additional characters, and then transferred to answer form No. 1.

Part 2 includes 4 tasks (17.1–17.4), from which you need to choose only ONE and give a detailed, reasoned answer to it in the genre of an essay on a literary topic of at least 200 words.

Read the fragment of the work below and complete tasks 1–9.

“Here we are at home,” said Nikolai Petrovich, taking off his cap and shaking his hair. “The main thing is now to have dinner and rest.”

“It’s really not bad to eat,” Bazarov remarked, stretching, and sank onto the sofa.

- Yes, yes, let's have dinner, have dinner quickly. – Nikolai Petrovich stamped his feet for no apparent reason. - By the way, Prokofich.

A man of about sixty entered, white-haired, thin and dark, wearing a brown tailcoat with copper buttons and a pink scarf around his neck. He grinned, walked up to Arkady’s handle and, bowing to the guest, retreated to the door and put his hands behind his back.

“Here he is, Prokofich,” began Nikolai Petrovich, “he has finally come to us... What? how do you find it?

“In the best possible way, sir,” said the old man and grinned again, but immediately frowned his thick eyebrows. – Would you like to set the table? - he said impressively.

- Yes, yes, please. But won’t you go to your room first, Evgeny Vasilich?

- No, thank you, there is no need. Just order my suitcase to be stolen there and these clothes,” he added, taking off his robe.

- Very good. Prokofich, take their overcoat. (Prokofich, as if in bewilderment, took Bazarov’s “clothes” with both hands and, raising it high above his head, walked away on tiptoe.) And you, Arkady, will you go to your room for a minute?

“Yes, we need to clean ourselves,” Arkady answered and was about to go to the door, but at that moment a man of average height, dressed in a dark English suit, a fashionable low tie and patent leather ankle boots, Pavel Petrovich Kirsanov, entered the living room. He looked about forty-five years old: his short-cropped gray hair shone with a dark shine, like new silver; his face, bilious, but without wrinkles, unusually regular and clean, as if carved with a thin and light incisor, showed traces of remarkable beauty; The light, black, oblong eyes were especially beautiful. The whole appearance of Arkady's uncle, graceful and thoroughbred, retained youthful harmony and that desire upward, away from the earth, which for the most part disappears after the twenties.

Pavel Petrovich took his beautiful hand with long pink nails from the pocket of his trousers - a hand that seemed even more beautiful from the snowy whiteness of the sleeve, fastened with a single large opal, and gave it to his nephew. Having previously performed the European “shakehands,” he kissed him three times, in Russian, that is, touched his cheeks with his fragrant mustache three times, and said: “Welcome.” Nikolai Petrovich introduced him to Bazarov: Pavel Petrovich slightly tilted his flexible figure and smiled slightly, but did not offer his hand and even put it back in his pocket.

“I already thought that you wouldn’t come today,” he spoke in a pleasant voice, swaying courteously, twitching his shoulders and showing his beautiful white teeth. - Did something happen on the road?

“Nothing happened,” answered Arkady, “so, we hesitated a little.”

(I.S. Turgenev, “Fathers and Sons”)

Analysis of the results of the Unified State Exam in literature shows that difficulties arise when completing tasks that require knowledge of the content of works of fiction (names of characters, names of places of events, significant details, etc.), as well as tasks to establish various correspondences: between characters and their characteristics , authors and titles of their works, characters and their remarks. This is explained by insufficient attention to the literary text itself when preparing for the exam. Often, schoolchildren try to replace reading the full text of a literary work with materials containing general information about its plot and poetics or a condensed retelling, as well as by turning to film adaptations and theatrical productions.

Therefore, when preparing for the Unified State Exam in literature, it is necessary to focus on basic knowledge about a literary work, relating to:

  1. Genre variety and generic affiliation of the work.
  2. The presence of epigraphs and dedications.
  3. The affiliation of a work to a specific literary movement.
  4. Arrangements of images in the storyline.
  5. Features of the conflict of the work, the main theme and idea of ​​the work.

Ultimately, students' reading of literary works should be aimed at building a system of character images. It is necessary to be able to navigate the characters, the peculiarities of their interaction with each other, and identify conflict situations, since they are the ones who determine the problems of a work of art.

Exercise 1

What genre does the work of I.S. belong to? Turgenev "Fathers and Sons"?

Analysis of the task

This task requires updating such literary concepts as types and genres of literature.

Literary works can be divided into three types - epic, lyric and drama. The division into genders is due to different approaches to depicting the world and man: epic objectively depicts man, lyricism is characterized by subjectivity, and drama depicts man in action, with the author’s speech having an auxiliary role.

Epic (in Greek means narrative, story) is a narration about events in the past, focused on an object, on the image of the external world. The main features of the epic as a literary genre are events and actions as the subject of depiction (eventfulness). In an epic, an impartial, objective narrator or storyteller plays an important role. Sometimes the narrator tells the story from the words of the narrator.

Lyrics (from the Greek lyra - a musical instrument to the sound of which poems and songs were performed), in contrast to epic and drama, which depict complete characters acting in various circumstances, depicts the individual states of the hero at individual moments of his life. The lyrics depict the inner world of the individual in its formation and change of impressions, moods, and associations.

Drama depicts a person in action, in a conflict situation, but there is no detailed narrative-descriptive image in the drama. Its main text is a chain of statements by characters, their remarks and monologues. Most dramas are built on external action, which is associated with confrontation, the confrontation of heroes. But internal action can also predominate (the characters do not so much act as they experience and reflect, as in the plays of Chekhov and Gorky). Dramatic works, like epic works, depict events, the actions of people and their relationships, but drama lacks a narrator and descriptive depiction. The main text of a dramatic work consists of monologues and dialogues of characters that create the illusion of the present time.

Thus, the epic tells, consolidates external reality, events and facts in words, drama does the same, but not on behalf of the author, but in direct conversation, dialogue between the characters themselves, while lyricism focuses its attention not on the external, but on the internal world.

The division into genera is the first division in the classification of literary works. The next step is to divide each type into genres. Genre is a historically established type of literary work. Genres are: epic (novel, story, short story, essay, parable), lyrical (lyric poem, elegy, message, epigram, ode, sonnet) and dramatic (comedy, tragedy, drama). Finally, genres usually receive further divisions (for example, domestic novel, adventure novel, psychological novel, etc.). In addition, all genres are usually divided by volume into large (novel, epic), medium (story, poem) and small (short story, short story, essay).

Epic genres

Novel(from French romanorconteroman - a story in the Romance language) - a large form of the epic genre, a multi-issue work depicting a person in the process of his formation and development. The action in a novel is always full of external or internal conflicts, or both. Events in the novel are not always described sequentially; sometimes the author breaks the chronological sequence (“Hero of Our Time” by Lermontov).

Novels can be divided by theme (historical, autobiographical, adventure, satirical, fantastic, philosophical, etc.) and by structure (novel in verse, novel-pamphlet, novel-parable, novel-feuilleton, epistolary novel and others ).

Epic novel(from the Greek epopiia - a collection of legends) - a novel with a broad depiction of folk life in critical historical eras. For example, “War and Peace” by Tolstoy, “Quiet Don” by Sholokhov.

Tale- an epic work of medium or large form, constructed in the form of a narrative about events in their natural sequence. Sometimes a story is defined as an epic work, a cross between a novel and a short story - it is larger than a story, but smaller than a novel in terms of volume and number of characters. But the boundary between a story and a novel should be sought not in their volume, but in the features of composition. Unlike a novel, which tends toward an action-packed composition, the story presents the material chronically. In it, the artist does not get carried away with reflections, memories, details of the analysis of the feelings of the characters, unless they are strictly subordinated to the main action of the work. The story does not pose problems of a global historical nature.

Story- small epic prose form, a small work with a limited number of characters (most often the story is about one or two heroes). A story usually poses one problem and describes one event. For example, in Turgenev’s story “Mumu” ​​the main event is the story of Gerasim’s acquisition and loss of a dog. A short story differs from a short story only in that it always has an unexpected ending (OTenry’s “The Gift of the Magi”), although in general the boundaries between these two genres are very arbitrary.

Feature article- small epic prose form, one of the types of short stories. The essay is more descriptive and touches mainly on social problems.

Parable- small epic prose form, moral teaching in allegorical form. A parable differs from a fable in that it draws its artistic material from human life (Gospel parables, Solomon's parables).

Lyrical genres

Lyric poem- a small genre form of lyrics, written either on behalf of the author (“I loved you” by Pushkin) or on behalf of a fictional lyrical hero (“I was killed near Rzhev...” by Tvardovsky).

Elegy(from the Greek elegos - plaintive song) - a small lyrical form, a poem imbued with a mood of sadness and sadness. As a rule, the content of elegies consists of philosophical reflections, sad thoughts, and grief.

Message(from the Greek epistole - letter) - a small lyrical form, a poetic letter addressed to a person. According to the content of the message, there are friendly, lyrical, satirical, etc. The message can be addressed to one specific person or group of people.

Epigram(from the Greek epigramma - inscription) - a small lyrical form, a poem ridiculing a specific person. The emotional range of the epigram is very wide - from friendly ridicule to angry denunciation. Characteristic features are wit and brevity.

Oh yeah(from the Greek ode - song) - a small lyrical form, a poem, distinguished by the solemnity of style and sublimity of content.

Sonnet(from the Italian soneto - song) - a small lyrical form, a poem, usually consisting of fourteen verses.

Poem(from the Greek poiema - creation) - a medium lyro-epic form, a work with a plot-narrative organization, in which not one, but a whole series of experiences are embodied. The poem combines the features of two literary genres - lyricism and epic. The main features of this genre are the presence of a detailed plot and, at the same time, close attention to the inner world of the lyrical hero.

Ballad (from the Italian ballada - to dance) is a medium lyric-epic form, a work with a tense, unusual plot, a story in verse.

Dramatic genres

Comedy(from the Greek homos - cheerful procession and ode - song) - a type of drama in which characters, situations and actions are presented in funny forms or imbued with the comic. In terms of genre, there are satirical comedies (“The Minor” by Fovizin, “The Inspector General” by Gogol), high comedy (“Woe from Wit” by Griboyedov), and lyrical (“The Cherry Orchard” by Chekhov).

Tragedy(from the Greek tragodia - goat song) - a type of drama, a work based on an irreconcilable conflict in life, leading to the suffering and death of the heroes. For example, Shakespeare's play Hamlet belongs to the tragedy genre.

Drama- a play with an acute conflict, which, unlike the tragic one, is not so sublime, more mundane, ordinary and can be resolved one way or another. The specificity of the drama lies, firstly, in the fact that it is based on modern, not ancient material, and secondly, the drama establishes a new hero who rebels against circumstances.

The generic affiliation of a work is easier to determine than its genre. If we take into account the volume of the work, then “Fathers and Sons” can be called a story, since this work is smaller in volume than the novel “Oblomov” by Goncharova, and “Crime and Punishment” by Dostoevsky.

This means that it is not the volume, but other features of this work that allow us to classify it as a novel. This is, first of all, a pressing issue. Despite the fact that Turgenev himself, at the beginning of his work, called his work a story: “...I began to work little by little; I conceived a new big story - will something come out?..” (letter from I. A. Turgenev to Countess E. E. Lambert, August 6 (18), 1860).”

What is the difference between a novel and a story?

The novel reflects social and historical events, and in the story they serve only as a background for the narrative. The life of the characters in the novel is presented in a socio-psychological or historical context. And in a story, the image of the main character can only be revealed in certain circumstances. The novel has one main plot and several minor ones, which form a complex structure. The story in this regard is much simpler and is not complicated by additional plot lines. The action of the novel takes place in a large time period, and the story - in a very limited one. The novel's problems include a large number of issues, but the story touches on only a few of them. The heroes of the novel express ideological and social ideas, and in the story the inner world of the character and his personal qualities are important.

Answer: novel.

Task 2

What is the name of the ideology of complete denial of generally accepted values, cultivated by Bazarov and Arkady Kirsanov?

Analysis of the task

To correctly answer questions of this type, you need to have a good knowledge of the text of the literary work and its main issues.

The features of this ideology (nihilism) are manifested in the behavior of the heroes, in the way Bazarov and Arkady Kirsanov position themselves.

In Russian literature, the word “nihilism” was first used by N. I. Nadezhdin in the article “Host of Nihilists” (magazine “Bulletin of Europe”, 1829)

It became popular after I. S. Turgenev, in the novel “Fathers and Sons” (1862), called Bazarov a “nihilist,” who denied the views of the “fathers.” The enormous impression made by the novel “Fathers and Sons” also made the term “nihilist” popular. In his memoirs, Turgenev said that when he returned to St. Petersburg after the publication of his novel - and this happened during the famous St. Petersburg fires of 1862 - the word “nihilist” was already picked up by many, and the first exclamation that escaped from the lips of his first acquaintance , met by Turgenev, was: “Look what your nihilists are doing: they are burning St. Petersburg!”

Answer: nihilism.

Task 3

Bazarov's internal and external democracy is in tune with the spirit of the era described by the author. Indicate the name of the leader of the thoughts of the revolutionary-democratic youth of those years - the literary critic to whose memory “Fathers and Sons” is dedicated.

Analysis of the task

I.S. Turgenev dedicated his novel “Fathers and Sons” to the memory of V.G. Belinsky.

The dedication of the novel to Belinsky caused even greater controversy in the press: there was not a single Russian magazine that responded to the publication of this work. The multidimensionality of Bazarov’s image was created precisely at a time when responses, assessments, reviews were “correlated” with that time and with the specific person to whom the novel was dedicated.

The novel “Fathers and Sons” was dedicated to V. G. Belinsky. The image of Bazarov is a collective one, so its probable prototypes include those public figures whom Turgenev considered “true deniers”: Bakunin, Herzen, Dobrolyubov, Speshnev and Belinsky. The novel “Fathers and Sons” is dedicated to the memory of the latter. The complexity and inconsistency of Bazarov’s views does not allow us to recognize any specific person as the source of the image: only Belinsky or only Dobrolyubov.

Answer: Belinsky.

Task 4

Establish a correspondence between the characters appearing in this fragment and the facts of their future fate: for each position in the first column, select the corresponding position from the second column.

Analysis of the task

This task tests knowledge of the text of the work and its plot lines. According to statistics, many more errors are made in this task than in answers to other questions.

Answer: A – 3, B – 4, C – 1.

Task 5

What is the name of a significant detail that is a means of artistic characterization (for example, Bazarov’s robe and Pavel Petrovich’s English suite noted by the author)?

Analysis of the task

A hint for completing this task is the word “detail.” Remember, if the word “detail” appears in a task, it means we are talking about an artistic detail.

A detail is an important and significant tool for constructing images; This is a detail that carries a huge ideological, emotional and semantic load. Not all writers used these elements masterfully. Nikolai Vasilyevich Gogol, Anton Pavlovich Chekhov and other literary artists actively used them in their work.

There are several classifications of this element. For example, the domestic literary critic and philologist - Andrei Borisovich Esin, in his book “Literary Work”, identifies three large groups of details: psychological, descriptive, plot.

Answer: detail.

Task 6

The elder Kirsanov and Bazarov are opposed to each other from the first pages of the work. What is the name of the technique of sharp contrast used in a work of art?

Antithesis (from the Greek antithesis - opposition) is one of the stylistic figures: a turn of poetic speech in which, to enhance expressiveness, directly opposite concepts, thoughts, and character traits of the characters are sharply contrasted.

They got along. Wave and stone
Poetry and prose, ice and fire
Not so different from each other...

(A.S. Pushkin, Evgeny Onegin.)

Antithesis is a technique of opposition.

Answer: antithesis.

Task 7

“Fathers and Sons” figuratively and thematically echoes the famous work of I.A. Goncharov, named after the surname of the main character. Indicate the surnames of two Goncharov characters, one of whom is in some way internally close to Bazarov, and the other, like the elder Kirsanov, is his complete opposite.

Analysis of the task

A clue to the answer to this question is contained in its wording.

Answer: Oblomov and Stolz.

Task 8

How is the main conflict of the work outlined in this episode of Fathers and Sons?

When answering the question, it is necessary to show the place and role of the episode (scene) in the overall structure of the work (analysis of the fragment), reveal the plot-compositional, figurative-thematic and stylistic features of the analyzed text, generalize your observations with access to the literary context.

Memo to students

When preparing written answers to questions, do not forget the main thing:

  1. Answer the question asked, rather than write everything you know about the work.
  2. Don't forget that your analysis should be based on the proposed fragment of the work.
  3. Clarify all the concepts that make up this question. For example, “main conflict”. (the main conflict is the conflict between fathers and children, representatives of different generations). How, in what way does it manifest itself? (the conflict can manifest itself in dialogues, in actions, in an obvious clash of conflicting parties).

Based on the analysis of the assessment criteria for task 8, it is possible to formulate performance requirements for its implementation.

Maximum score– 6 points.

Example sample answer

In this scene, the conflict between Evgeny Bazarov and Pavel Petrovich Kirsanov is only emerging and is manifested primarily in the behavior of Pavel Petrovich Kirsanov, who did not shake hands with Bazarov, but hid it in his pocket, thereby demonstrating that he was unpleasant that Arkady brought a guest with him . This detail attracts the reader’s attention, since a scene earlier Nikolai Petrovich Kirsanov, Pavel Petrovich’s brother, was the first to extend his hand to Bazarov as a sign of hospitality.

In the portrait of Pavel Petrovich, Turgenev emphasizes his breed and noble origin. The idea of ​​Bazarov that we get from this fragment is exactly the opposite. “Just order my suitcase to be stolen there and these clothes,” he says to Nikolai Petrovich. Bazarov does not attach any importance to his appearance. He talks about his things in a humorous and derogatory manner.

Analyzing the above fragment, we can assume that when they met, the characters felt a personal dislike for each other, bordering on contempt. Subsequently, the conflict will worsen even more and go beyond personal dissatisfaction with each other.

Task 9

Which works of Russian classics depict the conflict between representatives of different generations, and in what ways can these works be compared with Turgenev’s “Fathers and Sons”?

In this task, it is traditionally required to compare the analyzed work with other works of Russian classics. To compare means to compare in order to obtain some conclusions. By comparing, we can note both similarities and differences.

Algorithm for comparative analysis of works

  1. Find similarities between two texts at the level:
    plot or motive;
    figurative system;
    vocabulary;
    visual media;
    syntactic constructions;
    other parameters suggested by the texts themselves.
  2. Find differences at the same levels.

Several characteristic conflicts are clearly expressed in literature: love, ideological, philosophical, social and everyday, symbolic, psychological, religious, military.

The conflict of generations can be everyday and unfold within the same family, as for example in Ostrovsky’s “The Thunderstorm”: Dikaya and Kabanov on the one hand; Boris, Katerina, Tikhon, Varvara, Kudryash - on the other. Dikoya and especially Kabanikh accuse the younger generation of lack of respect for elders. Real suffering is brought to Kabanikha by the thought that her children are living incorrectly, not following her example. Tikhon left, but Katerina “doesn’t howl for him.” Kabanikha sees neither support nor support in her children. In “Fathers and Sons” one can also give an example of a family conflict between Pavel Petrovich, Nikolai Petrovich and Fenechka. Nikolai Petrovich does not dare to marry the mother of his child, Fenechka, because of his brother. It seems to him that Pavel Petrovich would never approve of this. But this is not the main conflict of the novel.

The main contradiction is associated with such heroes as Bazarov and Pavel Petrovich, who enter into an argument with each other for ideological reasons.

A similar conflict is depicted in Griboyedov’s comedy “Woe from Wit.” Chatsky opposes himself to the entire Famus society. He openly criticizes the political system of Russia, the moral character of the nobles and landowners, accusing them of sycophancy and hypocrisy.

Bazarov and Chatsky are close in one thing: they do not see anything positive in the Russia of their “fathers.” “Without noticing about yourself, what’s older is worse,” Griboedov’s hero categorically declares in one of his monologues. I think that if Bazarov had not denied literature, then Chatsky’s words would have pleased him.

Requirements for completing task 9

  1. The first work is named and its author is indicated, the work is compared with the proposed text in a given direction of analysis, the author’s position is not distorted (2 points)
  2. The second work is named and its author is indicated, the work is compared with the proposed text in a given direction of analysis, the author’s position is not distorted (2 points)
  3. For argumentation, the texts of the two selected works are used at the level of analysis of fragments, images, micro-themes, details, etc. that are important for completing the task, there are no factual errors (4 points)
  4. There are no logical or speech errors (2 points)

Maximum score – 10.

Read the work below and complete tasks 10–16.

Again, like in the golden years,
Three worn out harnesses flutter,
And the painted knitting needles knit
Into loose ruts...

Russia, poor Russia,
I want your gray huts,
Your songs are windy to me -
Like the first tears of love!

I don't know how to feel sorry for you
And I carefully carry my cross...
Which sorcerer do you want?
Give me your robber beauty!

Let him lure and deceive, -
You won’t be lost, you won’t perish,
And only care will cloud
Your beautiful features...

Well? One more concern -
The river is noisier with one tear,
And you are still the same - forest and field,
Yes, the patterned board goes up to the eyebrows...

And the impossible is possible
The long road is easy
When the road flashes in the distance
An instant glance from under a scarf,
When it rings with guarded melancholy
The dull song of the coachman!..

(A.A. Blok, 1908)

The answers to tasks 10–14 are a word, or a phrase, or a sequence of numbers. First, indicate the answers in the text of the work, and then transfer them to ANSWER FORM No. 1 to the right of the number of the corresponding task, starting from the first cell, without spaces, commas and other additional characters. Write each letter (number) in a separate box in accordance with the samples given in the form.

Task 10

Name the modernist poetic movement, one of the prominent representatives of which was A.A. Block.

Answer: symbolism.

Analysis of the task

Updating knowledge in literary areas

A literary direction is an artistic method that forms general ideological and aesthetic principles in the work of many writers at a certain stage in the development of literature.

Classicism (from the Latin classicus - exemplary) is a literary movement of the 17th century. (in Russian literature - the beginning of the 18th century), which is characterized by the following features:

Perception of ancient art as a standard of creativity, a role model.

Raising reason into a cult, recognizing the priority of enlightened consciousness. The aesthetic ideal is a person endowed with high social and moral consciousness and noble feelings, capable of transforming life according to the laws of reason, subordinating feelings to reason.

Sentimentalism (from the French sentiment - feeling) is a literary movement of the second half of the 18th - early 19th centuries, which arose as a reaction to the rigid principles of classicism and recognizes the basis of human nature not reason, but feelings. Main features of sentimentalism:

The subject of the image is private life, movements of the soul, human experiences.

The leading genres are travel, novel (including novel in letters), diary, elegy, epistle.

Romanticism (French romantisme, English romanticism) is a literary movement of the late 18th - early 19th centuries, which is based on the author’s subjective position in relation to what is depicted, the author’s desire not so much to recreate the surrounding reality in his work, but to rethink it. Leading features of romanticism:

Perception of individual freedom as the highest value.

Perception of man as the greatest mystery, and the purpose of human life as the solution to this mystery.

Portrayal of an exceptional individual in exceptional circumstances.

Realism (from the Latin Realis - material) is a literary trend that arose at the beginning of the 19th century, following which the writer depicts life in accordance with objective reality, truthfully reproduces “typical characters in typical circumstances with fidelity to the details” (F. Engels). Realism is based on historical thinking - the ability to see historical perspectives, the interaction of the past, present and future, social analysis - the depiction of phenomena in their social conditioning, as well as social typification.

Symbolism (French symbollisme, Greek symbolon - sign, identifying mark) is a direction that opposes itself to realism; arose in the late 80s of the 19th century; The philosophical concept of symbolism is based on the idea of ​​the unknowability of the world and man in a scientific, rational way and by means of realistic depiction:

The imperfect real world is just a weak reflection of the ideal world.

Acmeism (from the Greek acme - the highest degree of something, flourishing) is a literary movement of the 1910s, opposing symbolism, proclaiming the desire for “joyful admiration of being.” Principles of Acmeism:

Liberating poetry from symbolist appeals to the ideal, returning it to clarity;

Refusal of mystical nebula, acceptance of the earthly world in its diversity, concreteness, sonority, colorfulness.

Appeal to a person, to the “authenticity” of his feelings.

“Visibility”, objectivity and clarity of the artistic image, precision of details.

Simplicity and clarity of poetic language.

Futurism (from Latin futurum - future) is a literary movement of the early 20th century, characterized by a demonstrative break with traditional culture and the classical heritage; its main features:

Rebellious worldview.

An attempt to create “the art of the future”

Task 11

Indicate the number of the stanza (ordinal number in the nominative case) in which the poet uses anaphora.

Answer: sixth.

Analysis of the task

Updating knowledge on the topic “Expressiveness of Russian speech”

Allegory

Representation of an abstract concept through a concrete image

The Tsarskoye Selo garden is beautiful,
Where lion Having defeated, the mighty eagle of Russia rested
In the bosom of peace and joy. (lion – Sweden)

(A. Pushkin)

Alliteration

One of the types of sound writing, repetition in the text of consonant or identical consonant sounds

WITH in and sch there is no wind, With silver wind
IN w Yolkovove w eleste With Not and nogo w crazy...

(S. Yesenin)

Anaphora

Identical beginning of several adjacent sentences

Take care of each other,
Warm with kindness.
Take care each other,
Don't let us offend you. (O. Vysotskaya)

Antithesis

Comparison of sharply contrasting or opposing concepts and images to enhance the impression

"Sleep and Death" by A.A. Fet, "Crime and Punishment" by F.M. Dostoevsky.

Assonance

One of the types of sound writing, repetition of the same vowel sounds in the text

M e lo, m e lo on sun e y z e ml e
On Sun e etc e d e ly.
St. e cha mountains e la on the table e,
St. e cha mountains e la... (B. Pasternak)

Hyperbola

Artistic exaggeration

trousers as wide as the Black Sea (N. Gogol)

Gradation

Arrangement of words and expressions in increasing (ascending) or decreasing (descending) significance

Howled, sang, took off stone under the sky
And the whole quarry was covered in smoke. (N. Zabolotsky)

Nominative themes

A special type of nominal sentences names the topic of the statement, which is revealed in subsequent sentences

Bread!.. What could be more important than bread?!

Inversion

Violation of direct word order

Drops the forest your scarlet attire,
Frost will silver withered field... (A. Pushkin)

Irony

Subtle mockery, use in the opposite sense of the direct one

Count Khvostov,
Poet beloved by heaven
Already sang immortal poetry
The misfortune of the Neva banks... (A. Pushkin)

Compositional joint

Repetition at the beginning of a new sentence of words from the previous sentence, usually ending it

At dawn the morning dawn began to sing. She sang and miraculously combined all the rustles and rustles in her song... (N. Sladkov)

Lexical repetition

Repetition of the same word or phrase in the text

Around the city there are low hills forests, mighty, untouched. IN forests there were large meadows and remote lakes with huge pine trees along the banks. Pines They made a quiet noise all the time. (Yu. Kazakov)

Litotes

Artistic understatement

"Tom Thumb"

Metaphor

The figurative meaning of the word based on similarity

Sleepy lake of the city (A. Blok). Sugrobov white calves (B. Akhmadulina)

Metonymy

Replacing one word with another based on the contiguity of two concepts

Here on new waves
All flags will be visiting us.

(A.S. Pushkin)

Multi-Union

Intentional use of a repeating conjunction

There is coal, and uranium, and rye, and grapes. (V. Inber)

Occasionalisms

Some stunning absurdities began to take root in our midst, the fruits of the new Russian education. (G. Smirnov)

Oxymoron

A combination of words with opposite meanings

Tourists in their hometown. (Taffy)

Personification

Transferring human properties to inanimate objects

Silent sadness will be consoled,
And playful joy will reflect...

(A.S. Pushkin)

Parcellation

Intentional division of a sentence into semantically significant segments

He loved everything beautiful. And he understood a lot about it. A beautiful song, poems, beautiful people. And smart.

Periphrase

Replacing a word (phrase) with a descriptive phrase

"people in white coats" (doctors), "red cheat" (fox)

Rhetorical question, exclamation, appeal

Expressing a statement in interrogative form;
to attract attention;
increased emotional impact

Oh Volga! My cradle!
Has anyone ever loved you like I do?

(N. Nekrasov)

Rows, pairwise combination of homogeneous members

Using homogeneous members for greater artistic expressiveness of the text

Amazing combination you just And difficulties, transparency And depths in Pushkin's poetry And prose. (S. Marshak)

Sarcasm

Caustic, caustic mockery, one of the techniques of satire

The works of Swift, Voltaire, Saltykov-Shchedrin are full of sarcasm.

Synecdoche

Replacing quantitative relations, using singular instead of plural

Swede, Russian stabs, chops, cuts... (A. Pushkin)

Syntactic parallelism

Similar, parallel construction of phrases, lines

To be able to speak is an art. Listening is a culture. (D. Likhachev)

Comparison

Comparison of two objects, concepts or states that have a common feature

Yes, there are words that burn like a flame.(A. Tvardovsky)

Default

An interrupted statement that gives the opportunity to speculate and reflect

This fable could be explained more - Yes, so as not to irritate the geese... (I.A. Krylov)

Ellipsis

Abbreviation, “omission” of words that are easily restored in meaning, which contributes to the dynamism and conciseness of speech.

We sat down in ashes, cities in dust,
Swords include sickles and plows.

Task 13

From the list below, select three names of artistic means and techniques used by the poet in the second stanza of this poem. Write down the numbers under which they are indicated.

  1. hyperbola
  2. inversion
  3. irony
  4. repeat
  5. comparison

Answer: 245.

Algorithm for completing the task

  1. Define all the means of expression given in the answer options.
    Hyperbole - artistic exaggeration
    Inversion - unusual word order
    Irony - hidden mockery
    Repetition – repetition of words
    Comparison - comparison of objects, concepts using comparative conjunctions
  2. Think about what means of expressiveness are definitely not present in the second stanza of the poem.
    This is hyperbole and irony.
  3. Check for remaining options.
    Inversion - your gray huts, wind songs (compare with direct word order: your gray huts, wind songs).
    Comparison is like the first tears of love.

Task 14

Indicate the size in which A.A.’s poem is written. Block “Russia” (without indicating the number of stops).

Analysis of the task

Indicate the number of syllables with separate lines and place an accent mark above the stressed letters. You will get a certain rhythmic pattern


Identify the pattern of alternation of stressed and unstressed syllables.

Remember about heavy and light feet. Separate one foot from the other using vertical lines.


The diagram shows that the poem is written in a two-syllable meter (since a foot consists of two syllables) with stress on the second syllable - this is iambic.

General classification of poetic meters

Two-syllable sizes

Trisyllabic sizes

When completing task 16, select two works of different authors for comparison (in one of the examples, it is acceptable to refer to another work of the same author who owns the source text), indicate the titles of the works and the names of the authors, and compare the works with the proposed text in a given direction of analysis.

Follow the norms of literary writing, write down your answers carefully and legibly.

Task 15

What feeling is imbued with the poet’s appeal to Russia?

Requirements for completing task 15
  1. The answer to the question is given and indicates an understanding of the text of the given fragment/poem, the author’s position is not distorted (2 points)
  2. To justify judgments, the text is used at the level of analysis of fragments, images, micro-topics, details, etc. that are important for completing the task, there are no factual errors (2 points)
  3. There are no logical or speech errors. (2 points)

Maximum score– 6 points.

Analysis of the task

1. Determine which word in the question is key. The word is "feeling". Consequently, it is necessary to name the specific feeling that the lyrical hero experiences for Russia. Of course, Blok’s appeal to Russia is imbued with a patriotic feeling. Let's comment on it. The poet’s feeling is quiet, he does not shout about love for the Motherland, he does not praise it with the help of bright epithets. Rather the opposite: “poor Russia”, “robber beauty”.

There is no pity in the poet’s feeling: “I don’t know how to feel sorry for you.” But there is great faith in one’s country, for which “even the impossible is possible.”

In every line of the poem one can feel the poet’s admiration for his homeland as a beautiful woman:

And only care will cloud
Your beautiful features...

And you are still the same - forest and field,
Yes, the patterned board goes up to the eyebrows...

Having read the poem to the end, we understand how dear Russia is to the poet.

Task 16

In what works of Russian poets does the theme of the Motherland sound and in what ways can these works be compared with A. A. Blok’s poem “Russia”?

It is advisable to begin the answer to this question with a short introduction, summarizing the existing ideas about the disclosure of this topic in Russian lyrics.

Try to use literary terms.

Requirements for completing task 16
  1. The first work is named and its author is indicated, the work is compared with the proposed text in a given direction of analysis, the author’s position is not distorted (2 points).
  2. The second work is named and its author is indicated, the work is compared with the proposed text in a given direction of analysis, the author’s position is not distorted (2 points).
  3. For argumentation, the texts of the two selected works are used at the level of analysis of fragments, images, micro-themes, details, etc. that are important for completing the task; there are no factual errors (4 points).
  4. There are no logical or speech errors (2 points).

Maximum score – 10 points.

Sample essay sample

Introduction:

“The theme of the Motherland is revealed in the works of many poets: Tyutchev, Lermontov, Pushkin, Yesenin. In their poems, Russian lyricists expressed the most important thing - love for Russia. Pushkin’s description of a frosty winter morning is imbued with this feeling. We hear desperate longing for our homeland in the farewell lines of Lermontov’s poem “Farewell, unwashed Russia!” We fall in love with the country of birch chintz while reading Yesenin’s poems about his native land.”

It is necessary to choose the direction of analysis and trace the manifestation of similar and distinctive features at different levels: from ideological sound to linguistic design.

In Tyutchev’s poem “You can’t understand Russia with your mind,” just like in Blok’s poem, faith in Russia, a mysterious and incomprehensible country, is affirmed. According to Tyutchev, there is an explanation for this:

You can't understand Russia with your mind,
A common arshin cannot be measured
She's going to be special

The theme of one’s native country is revealed in a completely different way in Lermontov’s works. “I love Russia, but with a strange love,” - this is how he begins the poem “Motherland”.

In this work, the poet tries to understand the nature of his patriotic feelings. He approaches this rationalistically, declaring: “My reason will not defeat her.” According to Lermontov, “you cannot love Russia with your mind.” However, it is impossible to say how he himself feels about this.

It is interesting that Tyutchev writes about the same thing, but this is precisely what causes his admiration for Russia (Russia cannot be understood with the mind). And Lermontov’s emotional state is calm, even neutral. There is only one exclamatory sentence in the poem (the first). (For comparison: Blok’s poem is more emotional: three stanzas end with exclamation marks, at the end of the remaining three stanzas there is an ellipsis, which indicates either thoughtfulness or emotional excitement) Lermontov takes the position of an outside observer and as a result makes the following confession: “But I love , for what I don’t know myself.”

The main difference between the poem “Motherland” and Blok’s poem “Russia” is this: Lermontov is trying to calmly sort out his own feelings for his native country, and Blok’s patriotic feelings affirm in the reader a bright sense of faith in Russia.

Thus, the theme of the Motherland sounds differently in Russian poetry, depending on what each poet puts into the word “Russia”.

Part 2

Select only ONE of the four proposed essay topics (17.1-17.4) and indicate its number in ANSWER FORM No. 2. Write an essay of at least 200 words (if the volume is less than 150 words, the essay will receive 0 points).

Expand the topic of the essay fully and comprehensively.

Give reasons for your judgments based on an analysis of the text(s) of the work(s). In an essay on lyrics, you need to analyze at least three poems.

Think over the composition of the essay, avoid logical errors.

Follow the norms of literary writing, write your essay carefully and legibly.

The rules for counting words coincide with the rules of the Unified State Examination in the Russian language: “When counting words, both independent and auxiliary parts of speech are taken into account. Any sequence of words written without a space is counted (for example, “after all” is one

word, “still” – two words). Initials with a surname are considered one word (for example, “M.Yu. Lermontov” is one word). Any other symbols, in particular numbers, are not taken into account in the calculation (for example, “5 years” is one word, “five years” is two words).

17.1 What role do the hero’s monologues play in revealing the image of Chatsky? (Based on the play “Woe from Wit” by A.S. Griboyedov)

17.2 Which of the characters in the novel by L.N. Tolstoy's "War and Peace" is most interesting to you and why? (Based on analysis of the work)

17.3 The theme of native nature in the lyrics of S.A. Yesenina.

17.4 Pages of Russian history in the latest domestic literature.

(Based on the example of one or two works from the 1990s-2000s)

“In Part 2, USE participants are asked to choose one of four topics (17.1–17.4) and write a full-length, detailed statement based on literary material - an essay, thanks to which another substantive component of the course being tested is added to the analysis of works of art worked out in Part 1. The internal logic of the layout of tasks in Part 2 is determined by several approaches. The topics of the essays cover the most important stages of the national historical and literary process and are formulated based on works of ancient Russian literature, classics of the 18th century, and literature of the 19th–21st centuries. (including recent literature from the 1990s–2000s). A set of topics can use different forms of presenting a task: in the form of a question or a thesis (statement). The topics of assignment 17.1–17.4 also differ in the specific formulations. One of them may be of a literary nature (the literary concept comes to the fore). The other directs the examinee to reflect on the themes and issues of the work(s) of a particular author. The set may contain a topic that directs the examinee to create an essay close to a reading diary. However, it should not be considered as “free”, since it is strictly attached to specific literary material and requires its analysis. Another option in tasks 17.1–17.4 is a topic close to a literature review. Addressing this type of topic allows the examinee to freely choose the text and gives him the opportunity to express his reading interests.

The graduate chooses only one of the proposed topics and writes an essay on it, justifying his judgments by referring to the work (from memory). Writing an essay requires a large measure of cognitive independence and most closely meets the specifics of literature as an art form and academic discipline, which aims to form a qualified reader with a developed aesthetic taste and the need for spiritual, moral and cultural development.” (S.A. Zinin, M.A. Barabanova, L.V. Novikova Methodological recommendations for teachers, prepared on the basis of an analysis of typical mistakes of participants in the 2018 Unified State Exam in literature.)

Requirements for completing task 17

  1. The essay is written on a given topic, the topic is explored deeply, comprehensively, the author’s position is not distorted (3 points)
  2. To justify judgments, the text is used at the level of analysis of fragments, images, micro-topics, details, etc. that are important for completing the task. (in an essay on lyrics, at least three poems are used for analysis), there are no factual errors (3 points)
  3. Theoretical and literary concepts are included in the essay and used to analyze the text of the work(s) in order to reveal the theme of the essay; there are no errors in the use of concepts (2 points)
  4. The essay is characterized by compositional integrity and consistency of presentation: there are no logical errors, the sequence of presentation is not broken (3 points)
  5. There are no speech errors, or one speech error was made (3 points)

Maximum score – 14 points.

Information about changes in the KIM Unified State Exam 2019

In KIM, additional instructions and reminders have been introduced for all academic subjects for Unified State Examination participants to check the recording of answers on forms No. 1 and No. 2 under the corresponding task numbers.

All changes in the Unified State Exam KIM are not of a fundamental nature. In most subjects, the wording of tasks is being clarified and the system of assessing tasks is being improved to increase the differentiating ability of examination work.

Academic subject Changes in KIM Unified State Examination
Mathematics
Geography
Physics
Chemistry
Computer Science and ICT
No changes
Russian language The number of tasks in the examination paper has been increased from 26 to 27 due to the introduction of a new task (21), which tests the ability to conduct punctuation analysis of the text.

The format of tasks 2, 9–12 has been changed.

The range of tested spelling and punctuation skills has been expanded. The difficulty level of individual tasks has been clarified.

The wording of task 27 with a detailed answer has been clarified. The assessment criteria for task 27 have been clarified.

Biology The model of the task in line 2 has been changed (instead of a two-point task with multiple choice, a one-point task for working with a table is proposed). The maximum initial score for completing all work has been reduced from 59 to 58.
Foreign languages

The criteria for assessing the performance of task 40 of the “Writing” section in the written part of the exam, as well as the wording of task 40, in which the exam participant is offered a choice of two topics of a detailed written statement with elements of reasoning “My opinion,” have been clarified.

Literature The criteria for assessing the completion of tasks with a detailed answer have been clarified: corrections have been made to the assessment of tasks 8 and 15 (the formulation of criterion 1 with a description of the requirements for an answer worth 2 points, the rules for calculating factual errors in criterion 2), tasks 9 and 16 (criteria 1 and 2 are taken into account possible options for flaws in the answer), tasks 17.1–17.4 (counting logical errors has been added to criterion 4).
Social science The wording has been detailed and the assessment system for task 25 has been revised. The maximum score for completing task 25 has been increased from 3 to 4.

The wording of tasks 28, 29 has been detailed, and their assessment systems have been improved.

The maximum initial score for completing all work has been increased from 64 to 65.

Story There are no changes in the structure and content of the CMM.

An additional condition has been added to task 21, which defines the requirement for answer formatting. Accordingly, the assessment criteria for task 21 have been supplemented.


Read the text and complete tasks 1–3.

(1) To protect the environment and prevent gas emissions from production into the atmosphere, special filters are installed along the path of the gas flow. (2) Fabrics made of fine-fiber polymers on a gauze base have proven themselves to be good filter materials: they are resistant to acids, alkalis, high temperatures and organic solvents. (3)Main disadvantage<...>filters have low dust holding capacity, therefore, in industries where the dust content in gas emissions exceeds the permissible norm, coarse filters with fiber attachments are additionally installed.

Exercise 1
Indicate the answer options that correctly conveyed HOME information contained in the text. Write down the numbers of these sentences.

1) Environmental protection is a priority for many enterprises, so cleaning filters must be resistant to acids, alkalis, high temperatures and organic solvents.
2) Nowadays, various cleaning means are used: enterprises install filters made of fine-fiber polymers on a gauze basis or filters with fiber attachments.
3) In industries with excess dust content in gas emissions, along with well-proven filters made of fine-fiber polymer fabrics on a gauze basis, coarse filters are installed, which ensures environmental protection.
4) In order to protect the environment, in industries with excess dust content in gas emissions, not only filters made using fine-fiber polymer fabrics on a gauze basis, but also coarse filters are installed.
5) In the world practice of liquid purification, much attention is paid to special filters, which are made only from well-proven materials and are capable of retaining any harmful elements, which is especially important for modern enterprises.

Task 2
Choose your own demonstrative pronoun, which should take the place of the gap in the third (3) sentence of the text. Write down this pronoun.

these/such

Task 3
Read a fragment of a dictionary entry that gives the meaning of the word FLOW. Determine the meaning in which this word is used in the first (1) sentence of the text. Write down the number corresponding to this value in the given fragment of the dictionary entry.

FLOW,
-a, m.
1) Type of production characterized by the continuous execution of all operations (special). Transfer (put) production to point. The model is removed from production.
2) Rapidly flowing water mass. Burny village. Gorny village. Glubinny village (underwater current).
3) A moving mass of something. P. lava. Air p.p. particles. P. light. Lyudskoy p. Transport p. P. tears (translated). P. words (translated).
4) Part of the total number of students, divided for carrying out some activities. classes, tests. Passing exams in two streams.

Tasks 4 - 21

Task 4
In one of the words below, an error was made in the placement of stress: the letter denoting the stressed vowel sound was highlighted incorrectly. Write this word down.
Call
more beautiful
Angry
arrived
Cakes

Task 5
One of the sentences below uses the highlighted word incorrectly. Correct the lexical error by choosing a paronym for the highlighted word. Write down the chosen word.

FOREST smells came in waves; the breath of juniper, heather, and lingonberries was mixed in them.

The boss knew how to use DIPLOMATIC and correct expressions to explain to his subordinates the essence of his demands.

A private collection is a source of PRIDE for its owner.

In an unstable global economy, production EFFICIENCY should be increased.

The manager demanded that the ANNUAL report be prepared within a week.

efficiency

Task 6
Edit the sentence: correct the lexical error by eliminating the extra word. Write this word down.

There was not a single flashy color in this landscape, not a single sharp feature in the relief, but its meager lakes, filled with dark and calm water, seemed to express the main essence of water more than all the seas and oceans.

Task 7
In one of the words highlighted below, an error was made in the formation of the word form. Correct the mistake and write the word correctly.

experienced TRAINERS
on BOTH sides
sounds no less LOUD
GO FORWARD
no SHOES

Task 8
Establish a correspondence between grammatical errors and the sentences in which they were made: for each position in the first column, select the corresponding position from the second column.

GRAMMATICAL ERRORS OFFERS
A) incorrect use of the case form of a noun with a preposition
B) an error in constructing a sentence with homogeneous members
C) violation in the construction of sentences with participial phrases
D) an error in the construction of a complex sentence
D) disruption of the connection between subject and predicate
1) Unique virgin islands of nature, striking in their beauty and grandeur, still remain on the map of the region.
2) Thanks to the company’s availability of vehicles for transporting employees, specialists always arrive at the sites on time.
3) A.S. Pushkin was the first among those who not only recognized, but also encouraged the literary talent of N.V. Gogol.
4) Stepan felt how his whole body did not obey him and his eyes were sticking together from fatigue.
5) Some of those who visited the west of the Meshchera region saw eight Borovye lakes among the pine forests, which can only be reached through the forest using a map and compass.
6) In shallow areas, vegetation forms bridges that divide the lake into separate reaches.
7) Ivan the Terrible, having taken the capital of the Kazan Khanate in 1552, tried to attract new subjects to his side.
8) The train conductor asked the late passengers which carriage their seats were in.
9) Everyone who saw the potter’s work was amazed at his amazing skill.

Task 9
Indicate the answer options in which the unstressed alternating vowel of the root is missing in all words of one row. Write down the answer numbers.
1) compress, orb..tal, poly..mic
2) call, reminder, representative
3) ex..change, asph..publish, publish
4) warm up, cool down, light up
5) chooser, z..rnitsa, live..live

Task 10
Indicate the answer options in which the same letter is missing in all words of the same row. Write down the answer numbers.
1) ra..awakened, un..borderless, and..news
2) the most capable, pos..yesterday, n..construction
3) super..exquisite, inter..editor's, previous..previous
4) pr..follow (enemy), pr..buy, pr..sew (button)
5) by..cross, on..writing, pre..writing

Task 11

1) calculated, straw..nka
2) settle down, peas...to
3) endure, squeal, squeal
4) orange..cheap..nice
5) cal..vy, dress..tse

Task 12
Indicate the answer options in which the same letter is missing in both words of the same row. Write down the answer numbers.
1) authorized, heard..my
2) fear..spent, having spent..
3) sealed, inaudible..my
4) spent..spent
5) help..sh, move..my

Task 13
Determine the sentence in which NOT is written with the highlighted word FULL. Open the brackets and write down this word.

The son’s (IN)AUDIBLE answer aroused suspicion, and the father was forced to ask a few more questions.
Vasilisa returned home, (NOT) HAVING done the most important thing: she did not learn anything about Andrei’s fate.
Former students, in shabby overcoats, with still (NOT) HEALED wounds, returned to their families.
In the story by I.S. Turgenev's "Unhappy" hero speaks about the impression made on him by a sonata that he had (NOT) HEARD before.
(NOT) RECOGNIZING their purpose, the heroes of A.P.’s plays. Chekhov often live their lives meaninglessly.

slurred

Task 14
Determine the sentence in which both highlighted words are written CONTINUOUSLY. Open the brackets and write down these two words.

(BY) BECAUSE L.N. was silent in concentration. Tolstoy, his relatives could guess (HOW) HOW hard his brain is working now.
(C) SUBSEQUENTLY, scientists found that magnesium plays an important role in regulating potassium levels in the body, and ALSO regulates the functioning of the adrenal glands.
From the first pages, I experienced a strange feeling: AS WELL as if I had (THAT) HOUR been transported from a dark world to another world – sunny and bright.
(B)FURTHER, researchers have repeatedly said that the apotheosis of Russian glory is the painting “Bogatyrs”, in which V.M. Vasnetsov expressed his romantic and at the same time deeply civil understanding of Russia
The physical properties of interstellar gas significantly depend on whether it is located in comparative proximity to hot stars or, on the contrary, sufficiently distant from them.

subsequently also

Task 15
Indicate all the numbers in whose place NN is written.

Already in V. Serov’s first landscape, almost all the features characteristic (2) of him as a landscape painter were manifested: sharpness of vision, deepest insight into the essence of what is depicted, sophistication and precision of color.

Task 16
Place punctuation marks. List two sentences that require ONE comma. Write down the numbers of these sentences.
1) The captivating beauty of Russian landscapes is amazing and remains in the memory for a long time.
2) Among the most ancient images on the walls of Paleolithic caves are human handprints and incomprehensible patterns with random interweaving of wavy lines.
3) Descartes built the logic of knowledge from the simplest and obvious to the complex and incomprehensible
4) Artistic speech is characterized by both imagery and emotionality.
5) For the first time in so many war years, loud children’s laughter could be heard from the park and the creaking of a rusty swing could be heard.

Task 17

Returning the original beauty and splendor of (1) the Shuvalov Palace in St. Petersburg (2), the restorers coordinated the stages of their work with specialists (3) who were preparing the opening in its halls of the Carl Faberge Museum (4), famous for the creation of unique jewelry.

Task 18
Place punctuation marks: indicate the number(s) in whose place(s) there should be a comma(s) in the sentences.
While engaged in literary creativity, V.I. Dahl considered the main work of his life (1) exclusively (2) the creation of the “Dictionary of the Living Great Russian Language”. According to the memoirs of his contemporaries (4), he wrote down the first word for this book (3) at the age of 18.

Task 19
Place punctuation marks: indicate the number(s) in whose place(s) there should be a comma(s) in the sentence.
In the treasury of Russian art (1) one of the most honorable places belongs to I.I. Shishkin (2) whose name (3) (4) is associated with the history of the Russian landscape of the second half of the 19th century.

Task 20
Place punctuation marks: indicate the number(s) in whose place(s) there should be a comma(s) in the sentence.
Foggy masses rose across the night sky (1) and (2) when the last starlight was absorbed (3) a blind wind swept low along the empty street (4) and then flew up to the roofs of houses.

Task 21
Find sentences in which a dash is placed in accordance with the same punctuation rule. Write down the numbers of these sentences.

(1) Every person has a place that is infinitely dear to him - his native land. (2) Altai region is one of the most beautiful places on the globe. (3) Thousands of stormy rivers and calm transparent lakes, the vast expanse of steppes and flowering carpets of mountain meadows, light birch groves and mysterious tracts with traces of wild animals - all this is sweet and dear to everyone who has been here. (4) This region is a territory of incredible treasures hidden in the deep depths. (5) But the Altai region is famous not only for its pristine nature; its main wealth is its people. (6) People are calm and courageous, respecting each other, loving life and their native land, looking confidently into the future. (7) To get to know the Altai region, you can read books about it, watch films, but in order to comprehend it with your soul, and then love it forever, you must definitely come to the Altai land. (8) “Welcome to the amazing Altai region!” – booklets-guides on Russian tourist routes call for an exciting journey.

Tasks 22 - 26: text author K.G. Paustovsky

Read the text and complete tasks 22–27.
(1) Autumn this year was dry and warm all the time. (2) The birch groves did not turn yellow for a long time. (3) The grass did not wither for a long time. (4) Only a blue haze covered the reaches of the Oka and distant forests.
(5) I was sailing on a boat down the river and suddenly I heard someone in the sky begin to carefully pour water from a ringing glass vessel into another similar vessel. (6) The water gurgled, tinkled, and gurgled. (7) These sounds filled the entire space between the river and the sky. (8) It was the cranes crowing.
(9) I raised my head. (10) Large schools of cranes stretched one after another directly to the south. (11) They confidently and steadily walked south, where the sun played with trembling gold in the backwaters of the Oka, and flew to a warm country.
(12) I dropped the oars and looked at the cranes for a long time.
(13) A few days before this meeting with the cranes, one magazine asked me to write an article about what a “masterpiece” is and talk about some literary masterpiece. (14) In other words, about a perfect and impeccable work. (15) I chose Lermontov's poems.
(16) Now on the river I thought that masterpieces exist not only in art, but also in nature. (17) Isn’t this clique of cranes and their majestic flight along airways that have remained unchanged for many millennia a masterpiece?
(18) What can I say! (19) Each autumn leaf was a masterpiece, the finest ingot of gold and bronze, sprinkled with cinnabar and niello. (20) Each leaf was a perfect creation of nature, a work of its mysterious art, inaccessible to us humans.
(21) In addition to poetic masterpieces, Lermontov also left us prosaic masterpieces, such as “Hero of Our Time.” (22) They are filled, like the poems, with the heat of his soul. (23) He complained that he had hopelessly wasted this heat in the great desert of his loneliness.
(24) So he thought. (25) But time has shown that he did not throw a single grain of this heat to the wind. (26) Many generations will love every line of this ugly and mocking officer, fearless both in battle and in poetry.
(27) One of the sure signs of masterpieces is that they remain to live in us for a long time, almost forever. (28) And we ourselves enrich them, as if we are thinking after the poet, completing what he did not finish.
(29) New thoughts, images, feelings crowd into my head. (30) Each line of verse flares up, just as every day the autumn flames of the vast forests across the river rage more intensely.
(31) Obviously, the property of a true masterpiece is to make us equal creators after its true creator.
(32) It is a common belief that there are few masterpieces. (33) On the contrary, we are surrounded by masterpieces. (34) We do not immediately notice how they brighten our lives, what continuous radiation emanates from them from century to century, gives rise to high aspirations in us and opens to us the greatest repository of treasures - our land.
(35) Every meeting with any masterpiece is a breakthrough into the brilliant world of human genius. (36) She causes amazement and joy.
(37) Masterpieces! (38) Masterpieces of brush and chisel, thought and imagination! (39) Masterpieces of poetry!
(40) Every masterpiece contains something that can never become familiar - the perfection of the human spirit, the power of human feeling, instant responsiveness to everything that surrounds us both outside and in our inner world. (41) The thirst to reach ever higher limits, the thirst for perfection drives life. (42) And gives birth to masterpieces.
(43) I am writing all this on an autumn night. (44) Autumn is not visible outside the window, it is filled with darkness. (45) But as soon as you go out onto the porch, autumn will surround you and begin to persistently breathe into your face the cold freshness of its mysterious black spaces, the bitter smell of the first thin ice, which bound the still waters by night, and will begin to whisper with the last leaves that fly continuously day and night . (46) And it will sparkle with the unexpected light of a star breaking through the wavy night fogs.
(47) And all this will seem to you a great masterpiece of nature, a healing gift, reminding you that life around you is full of significance and meaning.
(According to K.G. Paustovsky*)
* Konstantin Georgievich Paustovsky (1892–1968) - famous Russian Soviet writer, classic of Russian literature.

Task 22
Which of the statements correspond to the content of the text? Please provide answer numbers.
1) The events described in the text took place during the narrator’s journey along the Volga.
2) The narrator was walking through the autumn forest and suddenly heard the crowing of cranes flying to warm countries.
3) There are few real masterpieces, because this is a breakthrough into the brilliant world of human genius.
4) Masterpieces give rise to high aspirations in people, cause amazement and joy.
5) The creations of nature are perfect.

Task 23
Which of the following statements are true? Please provide answer numbers.
1) Sentences 1–4 present the narrative.
2) Sentences 16, 17 give a description.
3) Proposition 25 indicates the reason for what is said in
4) Proposition 40 presents a reasoning.
5) Sentence 45 contains descriptive elements

Task 24
From sentences 32–34, write down a word that means “a work of art exceptional in its merits.”

masterpiece/masterpieces/masterpieces/masterpieces

Task 25
Among sentences 5–12, find one(s) that is related to the previous one using a personal pronoun, word forms and contextual synonyms. Write the number(s) of this sentence(s).

Read a fragment of a review based on the text that you analyzed while completing tasks 22–25.
This fragment examines the linguistic features of the text. Some terms used in the review are missing. Insert into the blanks (A, B, C, D) the numbers corresponding to the numbers of the terms from the list. Write down the corresponding number in the table under each letter.

Task 26
“Depicting the beauty of his native nature, K.G. Paustovsky widely uses such a trope as (A)_________ (“majestic flight” in sentence 17, “wavy fogs” in sentence 46). The syntactic device – (B)_________ (in sentences 14, 33) – helps convey the writer’s philosophical thoughts. The emotionality of the narrative is given by the trope - (B)_________ (“heat... of the soul” in sentence 22, “in the desert... loneliness” in sentence 23) and the device – (D)_________ (sentences 41–42, 45–46) "

List of terms:
1) lexical repetition
2) phraseology
3) epithet
4) exclamatory sentences
5) introductory structures
6) opposition
7) metaphor
8) parcellation
9) gradation

Task 27 - essay

Write an essay based on the text you read. Formulate one of the problems posed by the author of the text.
Comment on the formulated problem. Include in your comment two illustrative examples from the text you read that you think are important for understanding the problem in the source text (avoid excessive quoting). Explain the meaning of each example and indicate the semantic connection between them.
Formulate the position of the author (storyteller).
Express your attitude to the author’s position on the problem of the source text (agreement or disagreement) and justify it.
The volume of the essay is at least 150 words. Work written without reference to the text read (not based on this text) is not graded. If the essay is a retelling or a complete rewrite of the original text without any comments, then such work is graded 0 points. Write an essay carefully, legible handwriting.