"Coming Huns" according to the plan (Bryusov Valery Poems). "The Coming Huns" by Bryusov, analysis of the poem

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Valery Bryusov did not take revolutionary ideas seriously, although he understood that society needed changes. Nevertheless, the poet considered his path of development through wars and upheavals to be erroneous. The events of 1904-1905, when mass strikes swept across Russia, which turned into a kind of dress rehearsal for the 1917 revolution, forced Bryusov to take a closer look at this social phenomenon, in which he saw a parallel with the fall of the Roman Empire. It was then that a poem was born that predicted the death of the mighty Russian state.

By "coming Huns" the author meant modern barbarians - workers and peasants who are ready to trample the age-old traditions and culture of the Russian people for the sake of their crazy and ambitious ideas. I had no doubts that events would develop exactly according to this scenario, predicting: "Fall intoxicated with a horde of us from the dark camps." The only difference is that if earlier raids were made by foreigners, now the ruin of the country begins from within, and it is initiated by people who have been nurtured and raised by the Russian land. However, according to the poet, this will not stop the vandals from setting up huts near the palaces, and breaking agricultural lands in the throne rooms, thereby destroying everything that Russia was so proud of.

Resorting to such allegories, the poet pursues only one goal - to show how low people drunk with a thirst for power can fall. Bryusov understands that revolution in any of its manifestations is an evil that should be resisted. Otherwise, his homeland will turn into a barbaric country, where human life will cost absolutely nothing. The author compares the bearers of revolutionary ideas with small children who joyfully dance near bookfires and destroy churches. However, there is no one to resist this merciless force, because all the sages will simply have to hide from the vandals, taking "lighted lights to the catacombs, to the deserts, to the caves." This is the lot of many civilizations that have failed to discern enemies and defend against them in a timely manner. Truth, Bryusov sees in such a scenario of the development of events a certain pattern. If society is not able to solve its problems on its own, then some external force always appears, sweeping away everything in its path. Therefore, the poet believes that there is no point in trying to change something, and even more so, to resist the barbarians. “I greet you, who will destroy me, with a greeting hymn,” the poet sums up.

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Valery Yakovlevich Bryusov, an extraordinary person, encyclopedically educated, stood at the origins of Symbolism.

Brief description of creativity

In his youth, having received a brilliant historical education, he could not imagine himself without writing poetry. Positioned himself as nothing more and nothing less than a genius. He really did a lot to loosen the field of art that had become ossified after Nekrasov, and created new forms of versification.

He had many followers and students who significantly surpassed him in creativity. These include such poets who have reached truly the highest peaks, such as Alexander Blok and Andrei Bely. That is, the students bypassed their teacher. As a writer, he is interesting from a historical point of view, from which a huge legacy remained, which literary critics are engaged in. For the common reader, there are only a few works, for example, "The Coming Huns" (Bryusov), an analysis of the poem that is to be done below. Bryusov is a symbolist who at times deliberately obscured the meaning of the work, complicating it with its versatility.

Who are the Huns

From Asia to Europe came the invasion of wild nomadic tribes - the Huns. The name of their leader Attila inspired fear and horror, because the savages destroyed everything in their path. In 451, the eternal enemies - Roman centurions and Germans - stood side by side on the Catalaunian fields in Gaul to stop the destruction of their culture and protect their lives. A bloody battle took place, and the Huns rolled back. In history, their name has become a household name. These are barbarians for whom there are no values that are capable only of destruction.

They come from nowhere and go nowhere. The poem begins with a metaphorical question-exclamation "Where are they - these Huns!" Whom did the author mean by them? The Russian people, who, when they get up, do not know the restraint of their strength and power, who will crush the entire aesthetic culture, He compares it to a cloud that still hangs, but has not spilled on the ground in a bloody rain, so it must be assumed that the poet is waiting for blood from the future. With fear mixed with curiosity, he seems to be looking into the abyss, from where he hears a cast-iron stomp, a wonderful epithet chosen by the author, which determines the severity of the coming Huns(Bryusov, analysis of the poem).

Stanza two

As he himself once changed traditional poetic forms for symbolism, so now Bryusov invites the barbarians to collapse on everyone, crush them. This is a drunken crowd forgotten in wine. What for? And it is necessary to shake the decrepit world, ossified in everyday life, to refresh it.

How? Only with blood, which will cover everything with a flaming wave. The future Huns can give an apocalyptic picture of the necessary destruction, according to the poet. continues in the third stanza and the next stanza).

Stanzas three and four

He invites the slaves to destroy the palaces, and sow the field in place of the throne rooms. Then, as a continuation, one should burn the books and happily dance around the fires.

They also do not need temples - they should also be dirtied. They do not know what they are doing, therefore the coming Huns (Bryusov, the analysis of the poem shows this) must be forgiven, in this one can hear evangelical motives.

In their actions, he sees rapture with the process of destruction of the past and the creation of a new, natural, more precisely, the simplest. This is a sign of a revolutionary time. This will be the impact of historical change.

What to do? The age-old question

People shouldn't fight them. We need to hide at the turn of change along with our cultural achievements. Will anything cherished survive under the flying storm? This is the case of the Case, which plays, creating chaos, and nothing more. This is how one should act when the coming Huns come. Bryusov (analysis gives such a conclusion), will say that he welcomes everyone. Let everyone and him be destroyed, but he is ready to accept everything and forgive everything. The poem is extremely exalted and filled with pathos. This is emphasized by verbs in the imperative mood. Behind them there is both fear and a misunderstanding of what the seas of blood will mean when a brother goes against a brother. How ugly is death, death and destruction. Greeting hymns are out of place here. Valery Bryusov did not understand this. "The Coming Huns" - the analysis of the poem leads to rather gloomy conclusions, in the light of what we know today: Civil War, repeated enslavement of the peasantry in collective farms, massive repressions and executions. This is a terrible part of our history. In the meantime, in 1905, the poet glorifies the coming of a new world, and these are the coming Huns (Bryusov, the analysis says, will not see the terrible consequences of the 17th year.)

What size was used

The brilliantly erudite experimental poet did not use the usual poetic forms. He chose something exotic from his piggy bank - a three-hitting dolnik. In a schematic notation, the first stanza looks like this:

U_ _U _ _U _
_U _ _U _ _U _

U_ _U_ _U_
_ _U_ _U _ _U_

This concludes the analysis of the "Coming Huns" verse. Bryusov used metaphors, epithets, definitions, but they are described in the text.

For schoolchildren

If given homework, then you can make the following heading: "Coming Huns" (Bryusov) analysis according to plan:

Size (dolnik).
Paths (metaphors, epithets, definitions).
Phonetics (a combination of vowels and consonants, their repetition, oxymorons that create the alarm).
Genre (message, hymn).

"The Coming Huns" Valery Bryusov

Trample their paradise, Attila.
Viach. Ivanov

Where are you, the coming Huns,
What a cloud hung over the world!
I hear your cast iron stomp
In the not yet discovered Pamirs.

A horde of drunken ones upon us
Fall from the dark walls -
Revive a decrepit body
A wave of flaming blood.

Deliver, slaves of the will,
The huts at the palaces, as it happened,
Shake the merry field
In place of the throne room.

Fold up the books with fires
Dance in their joyous light
Do an abomination in the temple, -
You are innocent of everything, like children!

And we, sages and poets,
Keepers of secrets and faith,
Let's take away the lit lights
In the catacombs, in the deserts, in the caves.

And what, under a flying storm.
Under this storm of destruction
Save the playing case
From our cherished creations?

Everything will bend without a trace, maybe
What was only known to us,
But you who will destroy me
I greet you with a greeting hymn.

Analysis of Bryusov's poem "The Coming Huns"

Valery Bryusov did not take revolutionary ideas seriously, although he understood that society needed changes. Nevertheless, the poet considered his path of development through wars and upheavals to be erroneous. The events of 1904-1905, when mass strikes swept across Russia, which turned into a kind of dress rehearsal for the 1917 revolution, forced Bryusov to take a closer look at this social phenomenon, in which he saw a parallel with the fall of the Roman Empire. It was then that the world was born poem "The Coming Huns", predicting the death of the mighty Russian state.

By "coming Huns" the author meant modern barbarians - workers and peasants who are ready to trample the age-old traditions and culture of the Russian people for the sake of their crazy and ambitious ideas. Bryusov had no doubts that events would develop exactly according to this scenario, predicting: "Fall intoxicated with a horde of us from the dark camps." The only difference is that if earlier raids were made by foreigners, now the ruin of the country begins from within, and it is initiated by people who have been nurtured and raised by the Russian land. However, according to the poet, this will not stop the vandals from setting up huts near the palaces, and breaking agricultural lands in the throne rooms, thereby destroying everything that Russia was so proud of.

Resorting to such allegories, the poet pursues only one goal - to show how low people drunk with a thirst for power can fall. Bryusov understands that revolution in any of its manifestations is an evil that should be resisted. Otherwise, his homeland will turn into a barbaric country, where human life will cost absolutely nothing. The author compares the bearers of revolutionary ideas with small children who joyfully dance near bookfires and destroy churches. However, there is no one to resist this merciless force, because all the sages will simply have to hide from the vandals, taking "lighted lights to the catacombs, to the deserts, to the caves." This is the lot of many civilizations that have failed to discern enemies and defend against them in a timely manner. True, Bryusov sees a certain pattern in such a scenario of the development of events. If society is not able to solve its problems on its own, then some external force always appears, sweeping away everything in its path. Therefore, the poet believes that there is no point in trying to change something, and even more so, to resist the barbarians. “I greet you, who will destroy me, with a greeting hymn,” the poet sums up.

Valery Yakovlevich Bryusov

Trample their paradise, Attila.
Viach. Ivanov

Where are you, the coming Huns,
What a cloud hung over the world!
I hear your cast iron stomp
In the not yet discovered Pamirs.

A horde of drunken ones upon us
Fall from the dark walls -
Revive a decrepit body
A wave of flaming blood.

Deliver, slaves of the will,
The huts at the palaces, as it happened,
Shake the merry field
In place of the throne room.

Fold up the books with fires
Dance in their joyous light
Do an abomination in the temple, -
You are innocent of everything, like children!

And we, sages and poets,
Keepers of secrets and faith,
Let's take away the lit lights
In the catacombs, in the deserts, in the caves.

And what, under a flying storm.
Under this storm of destruction
Save the playing case
From our cherished creations?

Everything will bend without a trace, maybe
What was only known to us,
But you who will destroy me
I greet you with a greeting hymn.

Valery Bryusov

By "coming Huns" the author meant modern barbarians - workers and peasants who are ready to trample the age-old traditions and culture of the Russian people for the sake of their crazy and ambitious ideas. Bryusov had no doubts that events would develop exactly according to this scenario, predicting: "Fall intoxicated with a horde of us from the dark camps." The only difference is that if earlier raids were made by foreigners, now the ruin of the country begins from within, and it is initiated by people who have been nurtured and raised by the Russian land. However, according to the poet, this will not stop the vandals from setting up huts near the palaces, and breaking agricultural lands in the throne rooms, thereby destroying everything that Russia was so proud of.

Resorting to such allegories, the poet pursues only one goal - to show how low people drunk with a thirst for power can fall. Bryusov understands that revolution in any of its manifestations is an evil that should be resisted. Otherwise, his homeland will turn into a barbaric country, where human life will cost absolutely nothing. The author compares the bearers of revolutionary ideas with small children who joyfully dance near bookfires and destroy churches. However, there is no one to resist this merciless force, because all the sages will simply have to hide from the vandals, taking "lighted lights to the catacombs, to the deserts, to the caves." This is the lot of many civilizations that have failed to discern enemies and defend against them in a timely manner. True, Bryusov sees a certain pattern in such a scenario of the development of events. If society is not able to solve its problems on its own, then some external force always appears, sweeping away everything in its path. Therefore, the poet believes that there is no point in trying to change something, and even more so, to resist the barbarians. “I greet you, who will destroy me, with a greeting hymn,” the poet sums up.

The poem "The Coming Huns" was written during a period of social upheaval. It was created for almost a year and is an understanding of the current events. The poem finally took shape under the influence of the events of 1905. Bryusov saw the pressure with which organizing demonstrations, strikes and strikes by workers and peasants were going to change.

The mature poet, who at the time of writing the poem is 32 years old, foresaw or foresaw that the efforts of this stream could not be resisted. On the other hand, it was impossible, having witnessed "Bloody Sunday", not to renounce the actions of the old world in the name of the new.

The poem was completed in 1905 and published in 1906 in a collection, the name of which is translated from Greek as "Wreath". The first publication took place in the journal Voprosy Zhizn, No. 3, 1905.

Literary direction and genre

The symbolist Bryusov filled the poem "The Coming Huns" with symbols and allegories, a new meaning. V modern life Bryusov finds an analogue to the savage tribes of barbarians, Huns, and sages of antiquity. Comparing the events of the fifth and twentieth centuries, Bryusov foresees the further course of history and declares about it.

The poem belongs to the genre of civic poetry, but it is not devoid of philosophical generalizations.

Theme, main idea and composition

The theme of the poem is future social upheavals. The Huns in the poem are not only a symbol of certain estates, that is, new people who seize power, but also a symbol of revolutionary changes that are never favorable for living generations.

The main idea: history teaches nothing to humanity. Sages know about future events, poets foresee them, but no one can change anything. Therefore, social upheaval occurs over and over again. This is the path of human development, with which you need to come to terms.

The poem consists of 7 quatrains. The first 4 are an appeal to the coming Huns. The lyrical hero invites them to commit a series of acts of vandalism, as if suggesting what can be done. All this has already happened in history. The last 3 stanzas are the fate of the sages and poets, to whom the lyrical hero counts himself, and their attitude to what is happening.

The epigraph to the poem is taken from Vyacheslav Ivanov's poem "Nomads of Beauty", written in 1904. Attila, the leader of the Huns, even in the poem from the epigraph was associated with a new brute force that sees beauty in emptiness.

Trails and images

The image in the title is a metaphorical epithet. Bryusov uses the outdated coming participle, that is, coming, coming, expected in the future. An alliteration of the sounds of gr - gu conveys the thunder and hum of the approaching crowds of vandals.

The lyrical hero is not afraid of this crowd, he calls on the coming Huns, metaphorically comparing them with a cloud hanging over the world, and calling them cast iron(epithet). The Pamir, which was not yet discovered by Europeans during the time of the Huns, is becoming a collective symbol of the areas of life from which innovators and destroyers suddenly appear. They destroy what they have no idea about.

In the second stanza, all of humanity is presented a single organism... The body of the old civilization has grown decrepit (metaphor), and drunk the horde (epithet) of the Huns pours into him "like a wave blazing blood "(epithet, metaphor), revitalizing the old civilization (metaphor).

This stanza can be understood in another way. Dark, unenlightened souls (metaphorical epithet dark stands) are able to induce the old to stir up, come to life, only by causing him pain, bleeding, forcing him to fight.

The oxymoron of the third stanza "slaves of the will" reveals the inner contradiction of all the rebels, all the conquerors. What will they do after conquering and destroying? They are incapable of creation, their most ingenious building is a hut on the site of a destroyed palace. This is a symbol of the primitive that replaces the developed in all civilizations. Epithet cheerful field and the metaphor “shake the merry field” is not about growing bread, but about a wild field - the habitat of nomads.

In this stanza, Bryusov foresaw the manifestation of the savage inclinations of the workers and peasants, who in 1917 used the vases of the Winter Palace as chamber pots (“in the place of the throne room”).

The fourth stanza contains an anachronism. The Huns did not burn books (papyri) of antiquity, not understanding either their value or their danger to certain ideas. And the Huns had no ideas, except for the idea of will. Books were burned by the first Christians, they also destroyed ancient statues and pagan temples. The reason for the vandalism was a mismatch of ideas.

Bryusov foresees the actions of the Bolsheviks, destroying the circulation of unwanted books. The fascists did the same, the origin of which Bryusov could not guess. But he foresaw the logic of history, as well as the fact that the godlessness of the 20th century. will lead to the desecration of temples.

The last line of the fourth stanza justifies the Huns. The lyrical hero compares them to innocent children.

The next three stanzas clarify this condescending attitude of the lyric hero to the barbarians. The sages and poets, with whom the lyric hero associates himself, avoid the problem, withdraw themselves. These people symbolizing the wisdom of the ages simply hide, taking away what they possess and what the Huns do not have: the secret and lights (knowledge), faith.

When there are hordes of nomads, "flying storm, thunderstorm of destruction" (metaphors), you can only hide, preserving the values of civilization, "cherished creations." The lyrical hero's question is how much of these values will survive. This is not an idle question: most of the works of ancient culture disappeared without a trace, were destroyed or destroyed. Even less remains of other ancient civilizations.

The playing Chance (with a capital letter, it is very important), and not logic or reason, decide the fate, the future of humanity.

In the last stanza, the lyric hero resigns himself to the possible death completely, without a trace, of all the values of his culture. But he rejoices at the arrival of the formidable future Huns. Why? Because, as a sage and poet, the lyric hero understands the logic of history and does not oppose it.

Size and rhyme

The poem is written in dolnik with three accents in each line. Cross rhyme. Rhymes are female.