, Ural region, RSFSR, USSR
(now Tselinny district, Kurgan region)
Mikhail Alexandrovich Zakharov(born October 12) - Deputy Minister of Defense Industry of the USSR, Hero of Socialist Labor.
Biography
Mikhail Aleksandrovich Zakharov was born on October 12, 1931 in the village of Novy Kocherdyk, Novokocherdyk village council, Ust-Uysky district, Ural region (now Tselinny district, Kurgan region) into a family of collective farmers.
In 1969, he was appointed deputy director of the plant for production.
From 1970 to 1981, director of the Kurgan Machine-Building Plant (since 1978 - Kurgan Machine-Building Plant named after V.I. Lenin).
He carried out a restructuring of production at the plant from detailed specialization to unit specialization. Created new ones structural units, optimized the centralization and decentralization of plant management. He took part in organizing the serial production of artillery tractors ATS-712, ATS-59, infantry fighting vehicles BMP-1, BMP-2 and BMP-Z.
From 1981 to 1992, Deputy Minister of Defense Industry of the USSR. He made a great contribution to the conversion of tank and artillery factories.
From 1992 to 1996, he was vice-president of JSC Special Mechanical Engineering and Metallurgy.
In 1996-1999 - General Director of CJSC Kurganmashinvest, since 1999 - Advisor to the General Director of CJSC Kurganmashinvest.
Awards
Hero of Socialist Labor (1981).
Awarded the Order of Lenin (1974, 1981), the Red Banner of Labor (1971), “For Services to the Fatherland” IV degree (1998), and medals.
Laureate of the USSR State Prize (1979). Full member of the Academy of Quality Problems.
Family
- Wife - Zoya Pavlovna
- Sons:
- Alexander (born February 28, 1956) - General Director of Tekhosnastka OJSC.
- Sergey is the General Director of Kurgan-Service OJSC.
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Excerpt characterizing Zakharov, Mikhail Alexandrovich
“Au contraire, votre altesse, dans les affaires indecises c"est loujours le plus opiniatre qui reste victorieux,” answered Raevsky, “et mon opinion... [On the contrary, your lordship, in indecisive matters the winner is the one who is more stubborn, and my opinion …]- Kaisarov! – Kutuzov shouted to his adjutant. - Sit down and write an order for tomorrow. “And you,” he turned to the other, “go along the line and announce that tomorrow we will attack.”
While the conversation was going on with Raevsky and the order was being dictated, Wolzogen returned from Barclay and reported that General Barclay de Tolly would like to have written confirmation of the order that the field marshal gave.
Kutuzov, without looking at Wolzogen, ordered this order to be written, which the former commander-in-chief, very thoroughly, in order to avoid personal responsibility, wanted to have.
And through an indefinable, mysterious connection that maintains the same mood throughout the entire army, called the spirit of the army and constituting the main nerve of the war, Kutuzov’s words, his order for battle for the next day, were transmitted simultaneously to all ends of the army.
It was not the very words, not the very order that was transmitted in the last chain of this connection. There was not even anything similar in those stories that were passed on to each other at different ends of the army to what Kutuzov said; but the meaning of his words was communicated everywhere, because what Kutuzov said stemmed not from cunning considerations, but from a feeling that lay in the soul of the commander-in-chief, as well as in the soul of every Russian person.
And having learned that the next day we would attack the enemy, from the highest spheres of the army, having heard confirmation of what they wanted to believe, the exhausted, hesitant people were consoled and encouraged.
Prince Andrei's regiment was in reserves, which until the second hour stood behind Semenovsky inactive, under heavy artillery fire. In the second hour, the regiment, which had already lost more than two hundred people, was moved forward to a trampled oat field, to that gap between Semenovsky and the Kurgan battery, where thousands of people were killed that day and on which, in the second hour of the day, intensely concentrated fire was directed from several hundred enemy guns.
Without leaving this place and without firing a single charge, the regiment lost another third of its people here. In front and especially on the right side, in the continuous smoke, cannons boomed and from a mysterious area of smoke that covered the entire area ahead, cannonballs and slowly whistling grenades flew out, without ceasing, with a hissing rapid whistle. Sometimes, as if giving rest, a quarter of an hour passed, during which all the cannonballs and grenades flew over, but sometimes within a minute several people were torn out of the regiment, and the dead were constantly dragged away and the wounded were carried away.
With each new blow, fewer and fewer chances of life remained for those who had not yet been killed. The regiment stood in battalion columns at a distance of three hundred paces, but despite this, all the people of the regiment were under the influence of the same mood. All the people of the regiment were equally silent and gloomy. Rarely was a conversation heard between the rows, but this conversation fell silent every time a blow was heard and a cry: “Stretcher!” Most At that time, the people of the regiment, by order of their superiors, sat on the ground. Some, having taken off their shako, carefully unraveled and reassembled the assemblies; who used dry clay, spreading it in his palms, and polished his bayonet; who kneaded the belt and tightened the buckle of the sling; who carefully straightened and refolded the hems and changed his shoes. Some built houses from Kalmyk arable land or wove wickerwork from stubble straw. Everyone seemed quite immersed in these activities. When people were wounded and killed, when the stretchers were being pulled, when our people were returning, when large masses of enemies were visible through the smoke, no one paid any attention to these circumstances. When the artillery and cavalry passed forward, the movements of our infantry were visible, approving remarks were heard from all sides. But the events that deserved the most attention were completely extraneous events that had nothing to do with the battle. It was as if the attention of these morally tormented people rested on these ordinary, everyday events. An artillery battery passed in front of the regiment's front. In one of the artillery boxes, the tie-down line came into place. “Hey, the tie-down!.. Straighten it! It will fall... Eh, they can’t see it!.. - they shouted from the ranks equally throughout the entire regiment. Another time, everyone’s attention was drawn to a small brown dog with a firmly raised tail, which, God knows where it came from, ran out in front of the ranks at an anxious trot and suddenly squealed from a cannonball striking close and, with its tail between its legs, rushed to the side. Cackling and squeals were heard throughout the regiment. But this kind of entertainment lasted for minutes, and people had been standing for more than eight hours without food and without anything to do under the persistent horror of death, and their pale and frowning faces became increasingly pale and frowning.
- (born in 1701, died on August 23, 1739), artist, pensioner of Peter the Great abroad. On January 6, 1716, the following Highest decree was issued: “to give the painter Ivan Nikitin three hundred rubles to live in Italy, his students Roman Nikitin, Fyodor Cherkasov, Mikhail Zakharov 200 rubles each, and henceforth to them that number (in red or efimkas) for the entire transfer for years, as long as they live there, and give him, Ivan Nikitin, and 3 students 100 rubles each for travel to Italy.” Mikhail Zakharov lived in Italy and Florence for 6 years and in 1723, upon his return to Russia, was witnessed by the painter Karovak, who gave the following review about him: “in the art of painting, the art of painting has surpassed that of the painter Ivan Odolsky and all painters who studied in Russia, and in writing with colors against them, and besides that, he has a good beginning in geometry, prospectus, anatomy and partly architecture, which he, Karovak, does not recognize as sciences in those masters.” Despite such a very favorable review, Z. did not stand out from the number of other painters of the “office of buildings” and, just like the others, was involved in a number of very diverse artistic works. He painted images in various churches, mainly in the Peter and Paul Cathedral, and “battles” in the Summer Palace, participated with his paintings in the construction of “triumphal” gates in Moscow in 1727; so in Petrograd in 1731; At one time he was an assistant to Karovak, then to Andrei Matveev. In addition to performing various artistic works, he was also entrusted with compiling reviews of the paintings of other masters; Thus, in 1731 he gave a review of 13 paintings painted by the Dutch artist Gsell and the painter Vasily Ignatiev.
A. I. Uspensky, "Dictionary of Painters". - "Bulletin of Fine Arts" 1883, p. 72. - "Illustrated Newspaper" 1862, No. 202, p. 17.
P. S-cuy.
pensioner of Peter I abroad, painter of the Office of Buildings, b. 1701, † 21 August 1739
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Meeting front-line soldiers, peering into their faces, one would like to imagine what they were like then - during the hard times of war? Sometimes you don’t have the imagination to see the former brave fellow in an elderly person. I would like to tell about one of them, who met June 22, 1941 at the age of nineteen, representing without reproach or flaw our glorious front-line youth born in 1920 - 1926.
Misha Zakharov, having graduated from ten-year school on June 20, 1941, came to the village of Litvinovo to visit his parents. How unusually beautiful the future seemed to the youth of those years, and suddenly - war! Everything that was dreamed and planned was ordered to be put aside and forgotten for a while. Everything for the defense of the Motherland, everything for the front!
In the first weeks of 1922, the guys were not called up for war, and Mikhail and his peers built a cobblestone road from Chismen to Zolevo, dug an anti-tank ditch near the village of Yadrovo, which is still visible to this day.
At the end of the summer, by order of the Volokolamsk Regional Educational Institution M. Zakharov was appointed teacher primary school in the village of Nikita. And in that stormy year, the young teacher had both his first bell and his first lesson, and he already knew the names of all his boys and girls. But they brought a summons. Quick preparations took place, and on October 18, 1941, Mikhail and his peers set out on foot for the first long hike in their lives. Klin, Dmitrov, Zagorsk, Suzdal, and here they are - the Gorokhovets camps. Training is carried out at an accelerated pace, and in December, without completing the course, recruits are hastily put into open trucks and taken to a training center near Moscow. And a few days later, the first battle near the city of Aleksin.
How many would there be then? 1942, front near Kursk, awarded the rank of sergeant. Mikhail Zakharov heads the mortar crew. Battles near Yukhnov, on the Desna. Time inexorably works for the Red Army, for the Russian soldier. Since the autumn of 1942, the fascist beast has been inevitably pushed to the West, into its lair. With the liberation of villages and cities, traces of unprecedented atrocities committed by the fascists are revealed. Back in December 1941, in the village of Frolovo near Aleksin, Red Army soldiers discovered the corpse of a captured Soviet soldier, killed in the snow by icy water. There was probably no village or city where the brutal Nazis did not leave an ominous trace.
Therefore, every fighter understood the call to the depths of his soul: “Forward to the West! Go-go!..".
And the warriors also rejected the concept of “I can’t”, which was replaced by the motto “We must!” It was necessary to take the “language”, and Mikhail Zakharov became an intelligence officer. After the second return from behind the front line with a prisoner (and he turned out to be an officer), M. A. Zakharov was awarded the Order of Glory.
Then Zakharov was sent to the regimental artillery reconnaissance and was awarded the rank of senior sergeant. Twice in Belarus, and then near Koenigsberg, circumstances were such that we had to fight our way out of the enemy ring. The soldiers made their way with fire from carbines, machine guns and mortars. In memory of those battles - the order Patriotic War and the medal "For Courage".
M.A. Zakharov ended the war in Koenigsberg, and the meeting with the students of the dear Nikitsky school took place only 4 years and 3 months later - in January 1946. Mikhail Alexandrovich entered the familiar classroom in a jacket, with all the orders and medals. Everyone became quiet. For a long, long time he peered into the attentive gray, blue, cornflower blue eyes of the children, who were waiting with bated breath for what this almost forgotten mysterious man would tell them...
Many years have passed since then. Mikhail Aleksandrovich devoted himself to educating the younger generation: he was director (after Nikita) at Yazvischevskaya primary school, Ednevskaya eight-year school and then Chismenskaya high school working youth. Graduated from pedagogical university in absentia.
Now M. A. Zakharov is retired, and this is what he says from the height of his 72 years. “Our generation was brought up in the spirit of collectivism and internationalism. This feeling - unity - was especially manifested under bullets and bombs when, without distinction of nationality, they fought the enemy in harmony and unity. I look at my former students and think: this is a part of our people, kind, warm-hearted, cheerful.”
Surely, communication with the history teacher M.A. Zakharov did not pass without a trace for the boys and girls. He instilled in them a holy love for the Fatherland. In service Russian army, in the Ministry of Internal Affairs, Lieutenant Colonel Yuri Efremov, Captain Vyacheslav Vizhinis, Colonel Nikolai Bagorov, Major Svetlana Kubantseva, Captain Olga Tregubova and many other graduates of schools where front-line teacher M. A. Zakharov taught.
Zakharov Mikhail Aleksandrovich – director of the Kurgan Machine-Building Plant named after V.I. Lenin of the USSR Ministry of Defense Industry.
Born on October 12, 1931 in the village of Novy Kocherdyk, now Tselinny District, Kurgan Region, into a family of collective farmers.
In 1955, he graduated from the Chelyabinsk Polytechnic Institute and was assigned to the Kurgan Machine-Building Plant (KMZ), where he was appointed to the position of process engineer of assembly and welding shop 225. He was soon transferred to the position of foreman, and then section manager of shop 220. Here he created the first The plant has continuous teams, due to which the loss of working time has been sharply reduced and productivity has increased. In 1959, he was appointed head of workshop 225. Here the strong-willed qualities and subtle engineering thinking of the young manager were most clearly demonstrated. On his initiative, harmonious technological flows were created, which made it possible to improve the work of the department.
In 1961-1966 - deputy chief engineer of KMZ. In 1966-1969 - secretary of the KMZ party committee. In 1969-1970 - Deputy Director of KMZ for production.
In 1970-1981 - director of the Kurgan Machine-Building Plant (since 1978 - named after V.I. Lenin).
Over the 11 years of managing the plant, he has proven himself to be an exceptionally courageous and strong-willed leader, who sees a strategic line in the development of production, based on the achievements of science and the best experience. During this period, significant work was carried out to organize and create the production of new types of weapons and products special purpose, implementation new technology and advanced technologies. He took part in organizing the serial production of artillery tractors ATS-712, ATS-59, infantry fighting vehicles BMP-1, BMP-2 and BMP-Z. On the initiative of the director, self-supporting productions with unit specialization were created, and brigade forms of labor organization were introduced. This made it possible in the 10th Five-Year Plan (1976-1980) to increase labor productivity by 44 percent and production output by 56 percent. The output of consumer goods has more than doubled. Since 1976, the plant has occupied top places in the socialist competition among defense industry enterprises of the USSR for 48 quarters in a row. Several times KMZ was awarded the Challenge Red Banner of the CPSU Central Committee, the Council of Ministers of the USSR, the All-Union Central Council of Trade Unions and the Komsomol Central Committee.
By Decree of the Presidium Supreme Council USSR (“closed”) dated July 10, 1981 Zakharov Mikhail Alexandrovich awarded the title of Hero of Socialist Labor with the Order of Lenin and the Hammer and Sickle gold medal.
In 1981-1992 - Deputy Minister of Defense Industry of the USSR. He made a great contribution to the conversion of tank and artillery factories.
In 1992-1996 - vice-president of the joint-stock company "Special Mechanical Engineering and Metallurgy".
In 1996-1999 - General Director of Kurganmashinvest CJSC, and since 1999 - Advisor to the General Director of Kurganmashinvest CJSC.
Laureate of the USSR State Prize (1979).
Honorary citizen of the Kurgan region (2008). Academician of the Academy of Quality Problems.
- (born in 1701, died on August 23, 1739), artist retired from Peter the Great abroad. On January 6, 1716, the following Highest decree was issued: “to give the painter Ivan Nikitin three hundred rubles to live in Italy, his students Roman Nikitin, Fyodor Cherkasov, Mikhail Zakharov 200 rubles each, and henceforth to them that number (in red or efimkas) for the entire transfer for years, as long as they live there, and give him, Ivan Nikitin, and 3 students 100 rubles each for travel to Italy.” Mikhail Zakharov lived in Italy and Florence for 6 years and in 1723, upon his return to Russia, was witnessed by the painter Karovak, who gave the following review about him: “in the art of painting, the art of painting has surpassed that of the painter Ivan Odolsky and all painters who studied in Russia, and in writing with colors against them, and besides that, he has a good beginning in geometry, prospectus, anatomy and partly architecture, which he, Karovak, does not recognize as sciences in those masters.” Despite such a very favorable review, Z. did not stand out from the number of other painters of the “office of buildings” and, just like the others, was involved in a number of very diverse artistic works. He painted images in various churches, mainly in the Peter and Paul Cathedral, and “battles” in the Summer Palace, participated with his paintings in the construction of “triumphal” gates in Moscow in 1727; so in Petrograd in 1731; At one time he was an assistant to Karovak, then to Andrei Matveev. In addition to performing various artistic works, he was also entrusted with compiling reviews of the paintings of other masters; Thus, in 1731 he gave a review of 13 paintings painted by the Dutch artist Gsell and the painter Vasily Ignatiev.
A. I. Uspensky, "Dictionary of Painters". - "Bulletin of Fine Arts" 1883, p. 72. - "Illustrated Newspaper" 1862, No. 202, p. 17.
P.S- cue
(Polovtsov)
Zakharov, Mikhail Alexandrovich
pensioner of Peter I abroad, painter of the Office of Buildings, b. 1701, † 21 August 1739
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From the book Army Officer Corps by Lieutenant General A.A. Vlasov 1944-1945 author Alexandrov Kirill MikhailovichSEMENOV Mikhail Aleksandrovich Colonel of the WehrmachtColonel of the Armed Forces KONRR Born in 1894 in St. Petersburg. Russian. From the family of a Russian officer Imperial Army. In 1912 he graduated from the 1st cadet corps in St. Petersburg and entered the Imperial Alexander Lyceum. In 1914
VRUBEL MIKHAIL ALEXANDROVICH
From the book 50 famous patients author Kochemirovskaya ElenaVRUBEL MIKHAIL ALEXANDROVICH (born in 1856 - died in 1910) Mikhail Vrubel is one of those artists whose work can be called demonic without exaggeration. All his life he painted the Demon, trying to depict his features as realistically as possible. In general, evil spirits, the devil -
TASHKIN Mikhail Alexandrovich
From the book In the Name of the Motherland. Stories about Chelyabinsk residents - Heroes and twice Heroes Soviet Union author Ushakov Alexander ProkopyevichTASHKIN Mikhail Alexandrovich Mikhail Alexandrovich Tashkin was born in 1918 in the village of Syrtinsky, Kizilsky district Chelyabinsk region in a peasant family. Russian. He was drafted into the Soviet Army in 1940. Fought against the Nazi invaders from the first to the last
Mikhail Alexandrovich Bakunin
From the book 1000 wise thoughts for every day author Kolesnik Andrey AlexandrovichMikhail Aleksandrovich Bakunin (1814–1876) philosopher, apologist for the anarchist concept of government... Freedom is, first of all, a person’s ability to gradually free himself from external oppression physical world with the help of science and rational labor;
VRUBEL Mikhail Alexandrovich
author Fokin Pavel EvgenievichVRUBEL Mikhail Alexandrovich 5(17).3.1856 – 1(14).4.1910Painter, graphic artist, theater artist, illustrator. In 1900–1906 he was a constant participant in exhibitions of the World of Art association. Paintings “Seated Demon” (1890), “Spain” (1894), “Fortune Teller” (1895), “Pan” (1899), “Toward Night” (1900),
ZENKEVICH Mikhail Alexandrovich
From the book Silver Age. Portrait gallery of cultural heroes of the turn of the 19th–20th centuries. Volume 1. A-I author Fokin Pavel EvgenievichZENKEVICH Mikhail Alexandrovich 9(21).5.1891 – 16.9.1973 Poet, translator (Baudelaire, Freiligrath, Hugo, Whitman, Shakespeare, Frost, etc.). Participant of the 1st “Workshop of Poets”. Publications in magazines " Modern world", "Testaments", "Apollo" and others. Collections of poems "Wild Porphyry" (St. Petersburg, 1912), "Fourteen
CHEKHOV Mikhail Alexandrovich
From the book Silver Age. Portrait gallery of cultural heroes of the turn of the 19th–20th centuries. Volume 3. S-Y author Fokin Pavel EvgenievichCHEKHOV Mikhail Alexandrovich 16(28).8.1891 – 30.9.1955Dramatic actor, film artist, memoirist. On stage since 1913. Roles: Malvolio (Shakespeare's Twelfth Night, 1917), Eric XIV (Strindberg's Eric XIV, 1921), Hamlet (Shakespeare's Hamlet, 1924), Ableukhov (Petersburg after Andrei Bely, 1925 ), Khlestakov
Mikhail Alexandrovich
From the book The Fall of the Tsarist Regime. Volume 7 author Shchegolev Pavel EliseevichMikhail Alexandrovich MIKHAIL ALEXANDROVICH (1878-1918), St. e.v. Major General, Member state sov., junior son of the imp. Alex. III and brother Nick. II. 1899-1904 descend. throne. 1912 without the permission of the Emperor. secretly married in Vienna, in a Serbian church, with Nat. Serg. Wulfert, who previously divorced her husband,
Mikhail Alexandrovich
From the book Rurikovich. Historical portraits author Kurganov Valery MaksimovichMikhail Alexandrovich The winner of Mamai's hordes in the Battle of Kulikovo, Dmitry Donskoy, is deservedly one of the most famous members of the Rurikovich family. In terms of popularity, he is perhaps surpassed only by Alexander Nevsky. In the shadow of Dmitry's bright figure
Bakunin Mikhail Alexandrovich
From the book The Greats historical figures. 100 stories about rulers-reformers, inventors and rebels author Mudrova Anna YurievnaBakunin Mikhail Alexandrovich 1814–1876 European revolutionary, anarchist, one of the ideologists of populism. Mikhail Alexandrovich Bakunin was born on May 18, 1814 in the village of Premukhino, Novotorzhok district, Tver province, in the family of a well-born nobleman, where, besides him, there were
MIKHAIL ALEXANDROVICH VRUBEL
From the book 100 great artists author Samin DmitryMIKHAIL ALEXANDROVICH VRUBEL (1856–1910) To the brilliant, original artist of the 19th – early 20th centuries M.A. Vrubel was capable of monumental paintings, easel painting, graphics, and sculpture. The artist’s fate is tragic: he suffered a lot and was even on the verge of madness for years.
MIKHAIL ALEXANDROVICH SHOLOKHOV
From the book 100 greats Nobel laureates author Mussky Sergey AnatolievichMIKHAIL ALEXANDROVICH SHOLOKHOV (1905-1984) The famous Finnish prose writer Marti Larney believed that no monuments are built to a person during his lifetime: “But what can you do if Mikhail Alexandrovich Sholokhov has already erected a monument to himself in world literature with his narrative art. AND