I love my homeland but strange. "I love my homeland, but with a strange love." "I love the Motherland, but with a strange love"

I love my homeland, but with a strange love!
My mind will not conquer her.
Not blood-bought glory
No peace full of proud confidence,
Neither dark antiquity cherished traditions
Do not stir in me a joyful dream.

But I love - why, I don't know myself -
Cold silence of her steppes,
Its endless forests sway,
The floods of its rivers are like the seas;
I like to ride in a cart on a country road
And, with a slow gaze piercing the night shadow,
To meet on the sides, sighing for an overnight stay,
The flickering lights of the sad villages.
I love the smoke of burnt stubble
In the steppe a train for the night,
And on a hill in the middle of a yellow cornfield
A couple of whitening birches.
With joy to many unfamiliar
I see a full threshing floor
Hut, covered with straw,
Window with carved shutters;
And on a holiday, dewy evening,
Watch until midnight ready
To the dance with stamping and whistling
Under the talk of drunken peasants.

Analysis of the poem "Homeland" by Lermontov

In the late period of Lermontov's work, deep philosophical themes appear. The rebelliousness and open protest inherent in him in his youth are replaced by a more mature outlook on life. If earlier, when describing Russia, Lermontov was guided by lofty civic ideas associated with martyrdom for the good of the Fatherland, now his love for the Motherland is expressed in more moderate tones and resembles Pushkin's patriotic poems. An example of this attitude was the work "Homeland" (1841).

Lermontov already admits in the first lines that his love for Russia is “strange”. At that time, it was customary to express it in pompous words and loud statements. This was fully manifested in the views of the Slavophiles. Russia was declared the greatest and happiest country with a very special path of development. All shortcomings and troubles were ignored. Autocratic power and the Orthodox faith were declared the guarantee of the eternal well-being of the Russian people.

The poet declares that his love has no reasonable basis, it is his innate feeling. The great past and the heroic deeds of his ancestors do not evoke any response in his soul. The author himself does not understand why Russia is so incredibly close and understandable to him. Lermontov perfectly understood the backwardness of his country from the West, the poverty of the people and their slavery position. But it is impossible not to love his own mother, so he is delighted with the pictures of the immense Russian landscape. Using vivid epithets ("boundless", "whitening"), Lermontov depicts a majestic panorama of his native nature.

The author does not speak directly about his contempt for the life of high society. It is guessed in a loving description of a simple country landscape. Lermontov is much closer to a ride on an ordinary peasant cart than a walk in a brilliant carriage. This allows you to feel the life of the common people, to feel your inextricable connection with them.

At that time, the prevailing opinion was that the nobles differed from the peasants not only in education, but in the physical and moral structure of the body. Lermontov, however, declares the common roots of the entire people. How else can one explain the unconscious admiration for village life. The poet is happy to exchange fake capital balls and masquerades for "dancing with stamping and whistling."

The poem "Motherland" is one of the best patriotic works. Its main advantage lies in the absence of pathos and the great sincerity of the author.

Poem by M.Yu. Lermontov
"Homeland"

The feeling of homeland, ardent love for it permeates all Lermontov's lyrics.
And the poet's thoughts about the greatness of Russia found a kind of lyrical
expression in the poem "Motherland". This poem was written in 1841, shortly before the death of M.Yu. Lermontov. In poems belonging to the early period of M.Yu. Lermontov's work, patriotic feeling does not achieve that analytical clarity, that awareness that is manifested in the poem "Motherland". Rodina is one of the most significant works of Russian lyric poetry of the 19th century. The poem "Motherland" has become one of the masterpieces not only of the lyrics of M.Yu. Lermontov, but of all Russian poetry. The feeling of hopelessness gave rise to a tragic attitude, which is reflected in the poem "Motherland". Nothing seems to give such peace, such a feeling of peace, even joy, as this communication with rural Russia. This is where the feeling of loneliness recedes. M.Yu. Lermontov depicts Russia as a people, bright, solemn, stately, but, despite the general life-affirming background, there is a certain shade of sadness in the poet's perception of his native land.

I love my homeland, but with a strange love!
My mind will not conquer her.
Not blood-bought glory
No peace full of proud confidence,
Neither dark antiquity cherished traditions
Do not stir in me a joyful dream.

But I love - why, I don't know myself -
Cold silence of her steppes,
Its endless forests sway,
The floods of its rivers are like the seas;
I like to ride in a cart on a country road
And, with a slow gaze piercing the night shadow,
To meet on the sides, sighing for an overnight stay,
The flickering lights of the sad villages.
I love the smoke of burnt stubble
In the steppe a train for the night,
And on a hill in the middle of a yellow cornfield
A couple of whitening birches.
With joy to many unfamiliar
I see a full threshing floor
Hut, covered with straw,
Window with carved shutters;
And on a holiday, dewy evening,
Watch until midnight ready
To the dance with stamping and whistling
Under the talk of drunken peasants.

Date of writing: 1841

Eduard Evgenievich Martsevich (born 1936) - Soviet and Russian theater and film actor, People's Artist of the RSFSR.
Currently, the actor continues to work in cinema and regularly appears on the stage of the State Academic Maly Theater.

"I love the Motherland, but with a strange love"

Perhaps the theme of the homeland is the main one in the work of all great Russian writers. She finds a peculiar refraction in the lyrics of M. Yu. Lermontov. In some ways, his soulful thoughts about Russia coincide with those of Pushkin's. Lermontov is also not satisfied with the present of his homeland, he also wishes her freedom. But in his lyrics, there is no Pushkin's ardent optimistic confidence that "she will rise, the star of captivating happiness." His shrewd and merciless gaze of the artist exposes those negative aspects of Russian life that make the poet feel hatred towards them and part with his fatherland without any regret.

Goodbye unwashed Russia

Land of slaves, land of masters

And you blue uniforms

And you, their loyal people.

In the chased, laconic Lermontov lines, the evil that causes his anger and indignation is concentrated to the limit. And this evil is the slavery of the people, the despotism of the autocratic power, the persecution of dissent, the constraint of civil liberties.

The feeling of sorrow for the oppressed homeland pervades the poem "Complaints of a Turk". The poignant political content forces the poet to resort to allegory. The title of the poem refers to the despotic state regime of Turkey, in which the national liberation struggle of the Greeks under her dominion was waged. These anti-Turkish sentiments found sympathy in Russian society. At the same time, progressive-minded readers understood the true meaning of the poem, directed against the hated autocratic-feudal regime of Russia.

There, early life is hard for people,

There, for the joys, reproach rushes,

There a man groans from slavery and chains! ..

Friend! this land ... my homeland!

Yes, Lermontov was not satisfied with the Nikolaev Russia of the 30s of the XIX century, in which his creative maturity fell. What nourished Lermontov's love for the motherland? Maybe her glorious heroic past? Lermontov, like Pushkin, admired the courage, resilience, patriotism of the Russian people, who defended the freedom of their native country in the terrible years of the Patriotic War of 1812. The most striking heroic event of this war, which was already history for Lermontov, he dedicated the wonderful poem "Borodino". Admiring the feat of the Russian heroes of the past, the poet involuntarily recalls his generation, which passively endures oppression, without making an attempt to change the life of his fatherland for the better.

Yes, there were people in our time,

Not like the current tribe:

Bogatyrs are not you!

They got a bad share:

Not many returned from the field ...

Do not be the will of the Lord,

They wouldn't give Moscow away!

In the poem "Homeland" Lermontov still says that this "glory bought with blood" cannot give him a "joyful dream." But why is this poem filled with some kind of light, Pushkin's mood? There is no rebellious, angry spirit characteristic of Lermontov. Everything is quiet, simple, peaceful. Even the rhythm of poetry here gives the work smoothness, slowness and majesty. At the beginning of the poem, Lermontov speaks of his "strange" love for his homeland. This oddity lies in the fact that he hates autocratic serf Russia, the country of "blue uniforms," ​​and with all his heart he loves the people of Russia, its discreet, but charming nature. In Rodina, the poet draws people's Russia. Pictures dear to the heart of every Russian person appear before the poet's mind's eye.

But I love - why, I don't know myself -

Cold silence of her steppes,

Its endless forests sway,

The floods of her rivers are like the seas.

The artist paints here three successively changing landscape images: steppe, forest and river, which are typical of Russian folklore. Indeed, in folk songs, the steppe is always wide, free. With its immensity, infinity, it attracts the poet. The image of a heroic, mighty forest enhances the impression of the power and scope of Russian nature. The third image is the river. In contrast to the fast, impetuous mountain rivers of the Caucasus, they are majestic, calm, full-flowing. Lermontov emphasizes their strength by comparison with the seas. This means that the greatness, scope and breadth of his native nature evokes in the poet "gratifying dreams" about the great future of Russia and its people. These reflections of Lermontov resonate with the thoughts of other great writers of Russia - Gogol and Chekhov, who saw in their native nature a reflection of the national spirit of their people. All Lermontov's poem is imbued with an ardent love for rural, rural Russia.

I love the smoke of burnt stubble

A nomadic wagon train in the steppe

And on a hill in the middle of a yellow cornfield

A couple of whitening birches.

With joy to many unfamiliar

I see a full threshing floor

Hut, covered with straw,

Window with carved shutters ...

The severity of the servitude of the people makes the poet with particular joy to see the few "traces of contentment and labor" that still exist in peasant life. He seems to lead the reader through the forest and the steppes, along a country road to the village, to a simple hut and stops to admire the daring Russian dance "with stamping and whistling to the sound of drunken peasants." He is endlessly pleased with the sincere folk fun at the holiday. One can feel the poet's ardent desire to see the Russian people happy and free. Only her, people's Russia, is considered by the poet his real homeland.

What is patriotism? Literally translated from ancient Greek, this word means "fatherland", if you look for information even deeper, you can understand that it is as ancient as the human race. This is probably why philosophers, statesmen, writers, and poets have always talked and argued about him. Among the latter, it is necessary to highlight Mikhail Yuryevich Lermontov. He, who had twice survived exile, knew like no one else the true value of love for the motherland. And the proof of this is his amazing work "Homeland", which he wrote literally six months before his tragic death in a duel. You can read the verse "Homeland" by Mikhail Yuryevich Lermontov online completely on our website.

In the poem "Motherland" Lermontov speaks of love for his native patronymic - Russia. But from the very first line, the poet warns that his feeling does not correspond to the established "model". It is not "stamped", not official, not state-owned, and therefore "strange." Further, the author explains his "strangeness". He says that love, for whoever or for whatever it may be, cannot be guided by reason. It is the reason that turns her into a lie, demands from her immeasurable sacrifices, blood, relentless worship, glory. In this guise, patriotism does not touch Lermontov's heart, and even the ancient legends of humble monastic chroniclers do not penetrate into the soul. Then what does a poet like?

The second part of the poem "Motherland" begins with a loud statement that the poet loves in spite of everything, and the truth of this statement is felt in the words that he himself does not know why. And indeed, a pure feeling cannot be explained, seen. It is inside, and it connects a person, his soul with some invisible thread with all living things. The poet speaks of this spiritual, blood, endless connection with the Russian people, land and nature, and thereby opposes the homeland to the state. But his voice is not accusatory, on the contrary - nostalgic, gentle, quiet and even humble. He describes his innermost experience with the help of creating vivid, expressive and imaginative pictures of Russian nature (“boundless swaying of forests”, “sad trees”, “sleeping baggage in the steppe”), and also thanks to the repeated repetition of the verb “I love”: “I like to ride in cart "," I love the smoke of burnt stubble ". It is now easy to learn the text of Lermontov's poem "Motherland" and prepare for a literature lesson in the classroom. On our site you can download this work absolutely free.

I love my homeland, but with a strange love!
My mind will not conquer her.
Not blood-bought glory
No peace full of proud confidence,
Neither dark antiquity cherished traditions
Do not stir in me a joyful dream.

But I love - why, I don't know myself -
Cold silence of her steppes,
Its endless forests sway,
The floods of her rivers are like the seas;
I like to ride in a cart on a country road
And, with a slow gaze piercing the night shadow,
To meet on the sides, sighing for an overnight stay,
The quivering lights of the sad villages;
I love the smoke of burnt stubble
Overnight wagon train in the steppe
And on a hill in the middle of a yellow cornfield
A couple of whitening birches.
With joy, unfamiliar to many,
I see a full threshing floor
Hut, covered with straw,
Window with carved shutters;
And on a holiday, dewy evening,
Watch until midnight ready
To the dance with stamping and whistling
Under the talk of drunken peasants.

The poem of the late Lermontov, written in 1841, is one of the most significant works of Russian lyric poetry of the 19th century.


(poet, artist, philosopher)

The reason for the creation of the poem was, apparently, the poem of A. S. Khomyakov "Fatherland", where the greatness of Russia was associated with the humility of the Russian people, its loyalty to Orthodoxy.



(Famous literary critic)

The first known response to Lermontov's poem, even before its publication, was a letter from literary critic V.G.Belinsky V.P. Botkin dated March 13, 1841: “Lermontov is still in St. Petersburg. If his "Motherland" is published, then, Allah Kerim, what kind of thing is Pushkin's, that is, one of the best Pushkin's ".



(publicist, literary critic)

N. A. Dobrolyubov in his article "On the Degree of Participation of a Nationality in the Development of Russian Literature" "Being able to comprehend the shortcomings of modern society early, I was able to understand that salvation from this false path is only in the people." "Proof,- wrote the critic, - serves as his amazing poem "Homeland", in which he becomes decisively above all the prejudices of patriotism and understands love for the fatherland truly, holy and reasonably ".